Textile Society of America 15th Biennial Symposium

Textile Society of America Symposium 2016

The opening reception was held at the SCAD Museum of Art scad.edu/museum

On a balmy evening, 400 delegates from 23 different countries gathered on the podium between the oldest surviving antebellum railroad depot in the US and the modern building of the art museum.

After a time of nibbling delicious southern canapes, sipping cool drinks, listening to the band, talking with old and new friends, and paying attention during the speeches of welcome and thanks, we moved into the exhibition spaces.

Ebony G. Patterson, 'of 72 project,' digital prints on embellished bandanas, 2012

'What happens when 72 die and no one knows who they are? 

Who were these men and this woman?

Ebony wanted to make people aware of a 2010 massacre of 72 men (and 1 woman) at the Tivoli gardens in Jamaica. It is an event that has received very little attention from the media, has been ignored by Jamacia's usually vocal music scene and has had little acknowledgement governement. By making a mixed media portrait of every victim and hanging them all together on a clothesline the sheer number has great impact and the viewer is forced to realise these silenced people do matter.

Subodh Gupta, 'Known Stranger,' mixed media, 2014

This fabulous installation is an endlessly fascinating collection of well-used cooking pots and containers. The setting sun reaching through blinds to spot illuminate the work only added to its curiosity. People just walked around and around looking up and smiling.

This was just one of many exhibitions available for delegates to enjoy throughout the week. There was a well-organised gallery-hop one evening.

The daytime hours were mostly spent listening to the presentation of research papers on the theme "Crosscurrents: Land, Labor and the Port."

3 or 4 papers were presented in each session  X  5 concurrent sessions at any one time X 8 periods of concurrent sessions over 3 days = 140 papers presented. Phew, no wonder my head felt full towards the last day. The last day was spent attending roundtable discussions, films, videos, a merchants market. poster session, a closing plenary session and finally an awards banquet dinner. Those who still wanted more could join the post-symposium workshops and tours.

All in all an amazing event.

The next symposium will be in Vancouver in 2018. I can hardly wait.

Cryosphere - Hydrosphere completed and out there

Cryosphere II - Hydrosphere, 80"h x 50"w, machine sewing, dry felting, stuffing; nylon, polyester, net, cotton, beads, glitter, Timtex, cotton and rayon thread.

An exploration of the way water changes its molecular structure each time it shifts from a frozen state to a solid-state and back again. It is a process known as a phase change and is unique to the water molecule. 

Stuffed icicles of frozen water with bead-filled ends.

Attaching all icicles and flowing water panels together.

Attachment to the hanging device

While visiting hardware stores, fishing stores, pharmacies, a haberdashery and chandleries I bought clip-rings, lure swivels, silicon hair ties, tapes of hooks and eyes and nylon cord. I worked with them all to find a hanging device that would allow the panels to hang freely, hang straight and reposition themselves after being moved.

I settled on the tapes of hooks and eyes.

I bounced ideas off Ron, my resident problem-solver. He made a solid wooden frame to hang the work from.

All packed and ready to go with one and a half hours to spare - just enough time for a shower before I have to leave for the gallery. 

At the gallery attaching the hooks to the eyes.

Velcro to hold on the pelmets. An eye screw and carribenna type attachment to hold the wire to suspend the work from an overhead beam.

Cryosphere - Hydrosphere was my entry in the recent Vancouver Island Surface Design Association's annual exhibition 'Current Threads 2016' installed at the CACSP's Tulista Gallery.

Yukon Cryosphere II, Hydrosphere - Work Continues

Working with slippery synthetic sheers I can't keep the large pieces of fabric under control. Solution - hang them on the wall and take down as needed.

My current problem is to find a method for making a soft material appear hard. 

I have made tapered tubes. They need weights in the bottom to keep all lines vertical, the way water falls and freezes.  I considered lead fishing weights but couldn't find any small enough and they would all have to be painted white.

Solution - Beads. I cleaned out my white bead stash then scoured all thrift stores in a 20-mile radius. I sorted them by size and made 3 different soup mixes.

The beads are successfully doing the job of weighing down the points but now the tubes don't look substantial enough. I have decided to stuff each tube with fine interfacing. It took a long time and was hard on my hands.

To give my hands a break I started making the flowing water panels - cheesecloth dry-felted onto flat sheer tubes.

I am laying out the flowing water panels to see if I had enough of them and enough variety in length and width.

In the meantime, in the back of my mind, I am working on how to hang these individual tubes and panels. Percolation time, again.

Textile Treasures Exhibition - Mark Makers at Tulista Gallery, Sidney

The Mark Makers are exhibiting again!

Here is a peek at what they have produced over the past couple of years.

This is the view as one walks into the gallery - wearable art and 2D and 3D wet felt.

To the right are the results of a challenge to produce interpretations of the Melford Messenger Bag with a focus on upcycling, recycling and embellishment.

To the left - 2 different ways of working on top of a printed image.

Wet felted wall hanging, upcycled jacquard linen table cloth transformed into a blouse, embellished bags. 

Exploring the water and sky themes.

Upcycled pillows, soft sculptures and wearable art.

Hand and machine stitched framed wall pieces.

Art dolls, soft sculpture, wet felted forms.

Wet felted hats, scarf, bag, neck art.

Hand and machine 2D and 3D fibre art.

The alcove has a display of old traditional, handmade textiles from the 5 continents. They illustrate the history, techniques and skill mastery behind the Mark Makers' work.

This is just a taste of what is on display at the Tulista Gallery in Sidney, until May 1st.

There will be artists in attendance every day to answer your questions and to tell you the stories.

More Artawearness IIX

Kris Hold, a 4th year sculpture student, crocheted "authentic smelling twine & translucent fishing line to build structural pieces that cover human bodies." In this image I love the way the backs of the heads of those in the audience mimic the textures in the structural pieces.

She is exploring "human form & sculpture", a relationship made all the more dynamic by her startling choreography.