SCAD Fiber Department Tour continues

The Sewing Machine Studio

Students learn to work with electronic, digitised machines...

...and old-school machines for sewing, knitting, embroidery and serging.

The Weaving Studio

I have very limited knowledge on looms but could see the room was filled with many different types - small and large. The largest one in the back is the only such machine in North America - having come from Scandinavia. 

The Surface Design Studio

I have never seen a cleaner surface design room. It was simple and perfectly set up. The above image shows only one side of one of the rooms.

The screen cleaning set up is quite unique. They have worked within the limits of an old building basement to come up with a simple solution.

The SCAD tour was an exciting start to the Textile Society of America's Symposium 2016.

'Forest Flowers 3' in VISDA Current Threads 2015: Garden Tapestry Exhibition

"Forest Flowers 3"

Here is my entry in the VISDA Current Threads 2015: Garden Tapestry exhibition.

Triptychs were accepted as long as each panel fit the specified size.

The first step in the making process was to dye a well worn bed sheet with a number of different coloured earth dyes.

Small torn squares of cloth were wrapped around different sized beans and secured.

The bundles were dyed with earth dyes.

Stitching on these squares became my portable sewing project for a couple of weeks.

Two more bed sheets were dyed with earth dyes.

Different fabric paint colours were trialed on the first bed sheet.

Another layer was added with motifs screen printed with fabric paint.

The hand stitched squares were pinned then moved around to find the right placement.

The three bed sheets were torn into strips, layered and the small squares pinned on the top sheet again. 

I decided it needed more squares.

Once their placement was confirmed the small squares were hand stitched in place.

It was a most enjoyable project to work on.

"Forest Flowers 3" is about the role mycorrhizal fungi play in the wellbeing of a forest ecosystem. 

The screen printed motifs are drawings of computer generated models of the fungi's growth patterns.  

Mushrooms are the fungi's flowers and they are the stitched and appliqued pieces of cloth.

The viewpoint is one where the viewer is in the soil looking up, much like an earthworm's view of the world. The idea is we humans need to shift our way of seeing the natural world if we are to become less invasive and destructive.

Studio Construction: Furniture and Fittings

This is the project station, with its wheels attached. The open space is for long things, like bolts of fabric and long rulers.

Mick is asking us where we would like to have the drawer handles placed. It is hard to make an on the spot decision about something one hasn't considered before.

Ron is assembling the faucet. He spent a lot of time in front of the computer trying to find the faucet I had described to him after working with different types in different studios. He was successful with his search and I am pleased.

Now to put it together.

Looking good.

After everyone had left I had a play moving the furniture into its correct place. The nearest unit, on the left, is the print station. The smaller one, on the right, is the dye station.

View from the other end of the room. This unit is the project station.

It is getting so close now I barely sleep at night.

Studio Construction: Fixtures and Fittings

The hot water tank is installed in the crawlspace below the tub. This energy efficient placement means little heat is lost between the hot water tank and where I need the hot water.

South Shore Cabinetry made and installed the cabinets and some of the furniture.

Here are my drawing and design desk areas...

...backed by a bookcase.

The print table gets its wheels.

These drawers...

...go into both sides of the dye station.

A shelf is made to support the double tub.

The tub is braced while the sealer cures.

The room is finally coming together and beginning to look like a studio. I am enjoying visualising how I will work at each of the stations.

Deconstructed Screen Session

I had another session experimenting with deconstructed screens.

Oh oh - the wet screen sagged and touched the plastic lifting off the thickened dye.

This screen, made from drapery fabric, will not hold much dye.

Playing around with bubble wrap.

And stencils.

Just playing, Kerr Grabowski style.
Another great learning session. 

Screen Printing Techniques

The messy bits off the edge of the screen were caused by saggy screens. One of the drapery fabrics I used to make screens stretches when wet. 

More embedded screens.

I used a variety of grids collected from produce wrappings.

Extruded technique.

More extruded play using a squeeze bottle full of thickened dye.

Deconstructed Screen Trials

Next technique was to embed a variety of materials on a screen painted with thickened dye.

Once the screen was dry the materials were removed.

This screen produced 4 images before it was exhausted. 

This screen produced 12 images before the dye was finished.
I suspect the variable making the difference is the fabric on the screen.
This fabric is rougher and seems to be able to hold more dye that the fabric used in the previous screen.

Screen Printing - Stencils

I made a print board from insulation foam, an old wool blanket, vinyl and an old poly-cotton bed sheet.
   

Ready to go, starting with primary coloured Procion MX dyes.

Working with a newspaper stencil is the 1st technique on Kerr Grabowski's 'Deconstructed Screen Printing for Fabric and Paper' DVD.
The image fuzziness is an example of learning from mistakes. The cloth was too wet when I rolled it up in plastic and left it for 12 hours for the dye  molecules to bond. The water encouraged the dye molecules to continue migrating.

More often I would be working for a crisper image but now I know how to make a fuzzy one when I want to.
The spots(drips) on this sample show where I learnt the ideal viscosity for the print paste.
Both valuable lessons to learn.