Articulation's Forest and Sea and the Place Between Artist Reception April 13th, 2019

Cedar Wind Drawing, detail

The Artist Reception for Articulation's 'Forest and Sea and the Place Between' exhibition at Portals Gallery, Duncan is on Saturday 13th from 3 to 5 pm.

Artists Wendy Klotz, Ingrid Lincoln, and Lesley Turner will be in attendance to talk about their work and they look forward to answering questions about the exhibition.

Tree Wind Drawings

My contribution to the exhibition and the Salish Sea biosphere story is a triptych of 3 drawings done be 3 different trees found in the Pacific Northwest coastal maritime forest.

Big-leaf Maple

Douglas-fir and Western Red Cedar

 By getting the trees to draw on a fabric I explored the connection between the air and the earth in the Salish Seas' biosphere.

I blogged about my process to make the first of these works here.

Understanding this place we call home is an ongoing area of interest for me and continues to be an area of focus in my work.

Backyard Project: Pattern Language #106 Positive Outdoor Space & #173 Garden Wall

I am making good progress filling the gabion baskets with rounded river rock to make a garden wall defining the edge of the guest patio. 

We are not sure if we will put a board on top to make it a seat or not. If we did it would add another Pattern, #243 Sitting Wall and so strengthen the other patterns.

I had collected up the rounded river rock from various locations around the previous garden and stacked them up along the side of the house. This rock had been brought in to the site by the previous owners. It is not natural to this environment but a permaculture principle is to use what you have. 

I have chosen to use it to make the guest patio a positive outdoor space.

Pattern Language #106 says the problem is 'Outdoor spaces which are merely "left over" between buildings will, in general, not be used.' p. 518.

'There are 2 fundamentally different kinds of outdoor spaces: negative space and positive space. Outdoor space is negative when it is shapeless, the residue left behind when buildings - which are generally viewed as positive - are placed on the land. An outdoor space is positive when it has a distinct and definite shape, as definite as the shape of a room, and when its shape is as important as the shapes of the buildings around it.' p.518.

In the previous post, here, I described how the gabion baskets' stepped form echoes the house shape while defining the edge of the guest patio and enclosing the space. The patio has 2 entrance/exits to give the feeling of sitting in a space which is 'partially enclosed and partly open - not too open, not too enclosed.' p.521. This pattern is particularly important for smaller spaces while they still need to open out to larger spaces. In this case, the patio opens out to the forest.

Pattern Language gives a lot more detail on this important outdoor element and links it back 'to our most primitive instincts.' p.520. where when we are sitting we have a need for protection while at the same time needing a view to seeing what is approaching.

Come spring I will start planting along the outside edges of the gabion baskets transitioning the garden to the Garden Growing Wild pattern #172 - more on that later.

Pattern Language #173 Garden Wall

Problem: 'Gardens and small public parks don't give enough relief from noise unless they are well protected.' p. 806. 

About the only negative of the convenient location of our place is we can hear traffic noise from the nearby highway. We are lessening the impact of highway noise with careful design, plantings, fences and walls. My studio building blocks a lot of the noise from reaching the backyard.

'People need contact with trees and plants and water. In some way, which is hard to express, people are able to be more whole in the presence of nature, are able to go deeper into themselves, and are somehow able to draw sustaining energy from the life of plants and trees and water.' p. 806. Pattern Language goes on to explain how people 'must be shielded from the sight and sound of passing traffic, city noises and buildings. This requires walls, substantial high walls, and dense planting all around the garden' p.806. while still allowing people to be in touch with nature.

The high walls have been built and the intensive planting will continue this spring.

Backyard Project: Designing with the Step Motif and Form

The gabion baskets defining the guest patio edge make a stepped form to echo the  patio paver placement and the house walls.

An image taken during early construction days shows the stepped form of the house envelope.

The stepped line was continued with the shed placement.

I became aware of the stepped motif during a study of the Art Deco design period that happened almost simultaneously throughout many places in the world. It was the first universal design style and used the stepped motif on architecture, garments, interior design, graphic design, product design....

 1920s dress with silk devore burn-out in a stepped pattern.

This NZ Art Deco period house illustrates the stepped form at its simplest.

The side view shows a stepped roof line.

I carried out some tests on different people using flash cards to find out the minimum number of connected lines needed to be recognised as a stepped motif. Result - 4.

While researching an essay on the Art Deco design period I focused on why the stepped motif appealed at this time and was used so extensively. I found the form and motif seemed to give a feeling of being uplifted and instilled hope. 

With the Backyard Project design, I worked with the vertical and horizontal stepped motif forms in the house architecture by mirroring and echoing them in the garden structures. I don't yet know if there is an uplifting feeling in the garden yet because it is still at a busy stage where I am focused on soil building and planting. Maybe by next summer, I will be able to gauge the feeling in the garden. 

Backyard Project: Gabion Baskets on the Guest Patio

Sammy constructing gabion baskets along the edges of the guest patio.

They arrived as flat panels that he joined with spiralled lengths of steel.

He placed a steel rod across the centre middle of every basket...

 ..twisting the ends to tie them in place.

Previously he had leveled the ground and spread a foundation of coarse sand.

Next step - filling the baskets.

Sammy was very clever putting pieces of broken pavers in the bottom before adding the stones. It is a great way to dispose of waste cement and have it serve a purpose.

Sammy put the first layer of stones in all of the baskets. 

Now it is my turn to fill them to the top. It is the perfect job after spending several hours sitting in front of the computer screeen.

Backyard Project: Winter Activities While Waiting for Warmer Days

The last of the flowers bloomed through late fall.

A pleasant surprise was to see the Russian Tea plant flowering in the cooler late fall weather.

We  kept squirrel-busy cutting and storing firewood a few steps away from the fireplace.

The off-cut, untreated, paint-free construction wood had been cut to fit the fire box. We stacked it in a satisfying pile under the propagation table. With plenty of firewood, we looked forward to the cold weather and sitting in front of a fire.

This winter we had a number of significant snowfalls, something that doesn't happen every year.

The cherry tree while still in full leaf and under the Douglas-fir canopy was sheltered from an early snowfall.

The exposed young medlar tree couldn't cope with the wet snow weight. It and the other fruit trees had to be staked.

We took several trips out to Vancouver Island's west coast to enjoy the wild weather.

And now the soil is stirring and the new growth has started.

It feels like it has been a short winter and the garden is enticing me outside more often these days.

Backyard Project: Pattern Language #167 Six-foot Balcony

Lifting and stacking pavers for reuse in reworked walkways and sitting areas.

Pattern Language #167 Six-foot Balconies, verandahs, terraces, porches, and arcades along the building edge or halfway into it.

The Problem: 'Balconies and porches which are less than six feet deep are hardly ever used.' Pattern Language, p. 782.

Here is the 4-foot deep original guest bedroom patio. The pavers are 1 foot by 2 feet in size. It is not a walkway either because it doesn't lead anywhere. According to the Pattern Language, it wasn't used as a patio because nowhere was it at least 6 feet deep. 

'Balconies and porches are often made very small to save money; but when they are too small, they might just as well not be there. A balcony is first used properly when there is enough room for 2 or 3 people to sit in a small group with room to stretch their legs, and room for a small table where they can set down glasses cups, and the newspaper. No balcony works if it is so narrow that people have to sit in a row facing outward.' p. 783.

Arial view of what is left of the original guest room patio after construction trenches were dug and the river stone garden bed was removed. 

We had reworked some other paved areas to make the walkways more obvious by reducing their width. This one is now 4 feet wide instead of being staggered up to 6 feet wide. This gave us extra pavers to work with elsewhere and a bonus garden bed (yet to be developed).

The new guest room patio is now 6 and a half feet deep and 14 feet wide. The Pattern Language has found 'almost no balconies which are more than 6 feet deep are not used.'  It is going to be interesting to see if this reconfigured patio will be used.

The original patio was hardly inviting. Pattern Language explains why it was not a popular place to stop a while.

'Two other features of a balcony make a difference in the degree to which people will use it: its enclosure and its recession into the building. As far as enclosure goes, we have noticed that among the deeper balconies, it is those with half-open enclosures around them - columns, wooden slats, rose-covered trellises - which are used most. Apparently, the partial privacy given by a half-open screen makes people more comfortable.' p. 783.

Sitting out on this original patio one would feel exposed and vulnerable with the forest on one side and the dark underside of the balcony on the other. The flat wall of the house offers no protection or comfort. These are situational feelings humans still carry with them from hunter/gatherer days.

'Enclose the balcony with a low wall - sitting wall (coming), heavy columns (check - 6" x 6" cedar posts), and half open walls or screens (check - Propagation Room wall). Keep it open toward the south (partial check - it faces south but looks to a large cedar fence made of slats that will be covered in vines, while the east view is out to the forest). p. 784. 

The new patio will not be recessed into the original house but the addition of the Propagation Room has visually extended the building envelop and now gives the feeling of being tucked into a corner of the house.

Here's hoping we got enough of the Pattern Language # 167 incorporated into the design to make this patio a welcoming place for our guests to hang out on while offering privacy, protection and a view.

Backyard Report: Reconstruction of the Guest Room Patio

Through the sliding gate, outside the deer fence...

...is where the guest room patio will be reconstructed. There used to be a narrow paved area with a river stone covered garden bed against the house.

The area is next to Gunilla's Garden, a semi-cultivated native plant garden functioning as a transition to the forest zone. 

The Propagation Room wall and sliding gate are part of the deer barrier making the guest room patio open to the forest, browsing deer and the many other animals that live here.

The first task in the guest room patio reconstruction is to move all of the river stone out of the way but not too far away because the stone will be reused. 

Ron lays down the ubiquitous blue tarpaulin to hold the stones.

Ariel view from the balcony above. 

We have saved all of the pavers left over from modifying the walkways along the back and west sides of the house. We would like to be able to reconstruct this patio without having to buy more pavers, following a permaculture principle of using what you have.

The stone moving task in progress.

Garden Report: Katherine's Water Drop Shaped Hugelkultur Bed

Daughter Katherine loves flowers. 

The Water Drop hugelkultur bed is dedicated to Katherine and will be covered in flowers.

The Water Drop is tucked in beside her sister's feather-shaped bed.

They are both partially under the canopy of a Douglas-fir and in the first spring, they were planted with their lower canopy trees. Katherine's is a white flowering pear tree.

Comfrey has been planted around the base to both build up the nutrients in the soil and to hold the soil in place.

Katherine's hugelkultur bed is water drop shaped because she studied fluid mechanics and works at managing the flow of water on the land.

A garden bed full of flowering plants can become a magnet for insects - an insectary.

"Not only will insectary plants improve your garden's health, but the flash  and shimmer of multicoloured buzzers and flutterers will both delight the eye and attract many varieties of birds to eat them, further increasing your yard's biodiversity." Gaia's Garden a Guide to Home-Scale Permaculture by Toby Hemenway, p. 109.

Katherine's favourite flower colours are pinks and whites so I added that to the plant list criteria.

Almost any pollen or nectar producing flower will attract pollinating insects needed to set fruit and seeds. Predator insects are needed to gobble up unwanted bugs. I needed to find a variety of different types of plants to attract many different insects to this bed.

Another design goal was to have something flowering throughout the year.

These chives are pushing the colour scheme into purpley pinks and are something Katherine remembers helping to deadhead when she was very young. They are an early spring bloomer providing nectar when there is little else flowering in the garden.

A fall bloomer is this Autumn Joy Stonecrop Sedum that can be covered in different types of bees when the sunny days are getting shorter.

Behind the Liatris and Echinacea/Cone Flower is a Russian Tea (Camellia sinensis) plant forming the shrub layer in this ecosystem. It fits the criteria having masses of white flowers from September through to January as long as it gets enough hours of sun. This bed is south facing but our winters can have many cloudy rainy days so we will wait to see how much it flowers. 

It thrives in slightly acidic soil conditions which is a good thing with the bed being under the Douglas-fir. 

Bonus features are it is a nitrogen fixer to the benefit of plants around it and one can make tea from its leaves. 

It is the early stages of developing this Water Drop hugelkultur bed...

...while I have this picture in mind of Katherine with her wedding flowers.