Auction House Treasures

I had a successful bid at Kilshaw's auction house this week.

In a cardboard box I had my eye on 4 textiles in particular - this NW Indian shisha embroidery.

It is not as fine as one I already have in my collection but it is in very good condition and I like that the pieces haven't been cut out for the garment yet.

The 2nd textile is this large linen pillow case. The linen is fine but still surprisingly heavy.

It doesn't look much at the present but once it is laundered and ironed it will look beautiful.

There is pulled thread work around the edge and in each corner with a satin stitch floral motif.

I'll show it again once it is laundered.

Indian Textiles

oopps! the images didn't appear with my last post - so here they are

Indian Textiles

i love Indian textiles - just want to show you some close ups of some displayed at the Beyond peacocks & paisleys, Handcrafted Textiles of India and its Neighbors exhibition, in the Goldstein Museum of Design, University of Minnesota College of Design.

i had to walk passed the gallery everyday to get to and from the workshop i attended after the Surface Design Association conference.

i found myself in there a number of times over the week... just looking

thanks Hazel Lutz and Anna Carlson (the curators) for the experience and for the exhibition catalogue with so many close-up images and satisfying essays ...yes, i bought the book

Julia Caprara's Stitching Techniques

Back in 2005 Quilting Arts Magazine featured a series of articles written by Julia Caprara. In the Winter issue, Julia wrote about the importance of all textile students building their own personal "touch palette". Since reading the article, I have followed Julia's advice and used the technique she described as "painting with fabric, thread, and stitches".

This work, called The Day the Queen Came to Tea, has the 2 outer panels worked in Julia's technique to give the feel of what Baffin Island valleys, in Northern Canada, look like in the fall. One early explorer recorded the valleys had the richness of a Persian carpet.

Torn strips of fabric were woven into an open-weave burlap to make the first layer of the textile.

Next, thicker yarns, cords and ribbons are threaded through the woven fabric to make the next 1 or 2 layers.

Then finer threads are worked in buttonhole stitch to make another layer. As the final layer I attached shisha mirrors to this work. [Mirrors to represent the tarns (glacial lakes) and the mirrors the Elizabethans traded with the Inuit that remained after the visitors left.]
In her article, Julia explains how a stitcher can change all of the variables to get many different effects. It is an exciting technique to play around with.

Julia Caprara

I am filling my blog space with colour today to remember Julia Caprara who passed away on Friday. Julia was one of the doyennes of the art world. People all around the planet will be feeling a sense of loss. Many will be wondering how they will cope without her. But no one more than Alex, her husband who has been beside her through her long illness.

Embroidery from the Kutch, India

More embroidered blouses from Kutch, Gujarat in the Guj style.

Shisha mirrors, buttonhole stitch, satin stitch, knots & pompoms.

Mutwa Embroidery

Mirror glass is cut to shape with scissors for shisha work.

A blouse embroidered in the Guj style where there are woven braids across the front.

A blouse in the Kungeroo style. It is usually made in one piece & is fully embroidered with a larger range of stitches. It is often made for a daughter-in-law.

Mutwa Embroidered Blouse

A Kungeree type of Mutwa blouse with embroidered panels for an unmarried girl.

The panels are embroidered flat then sent to the tailor to make up the garment, unsually with prints in the style of patterned fabrics the British brought to India in the 1930s.

The village is known for its tiny mirror glass (shisha) held in place by fine buttonhole stitches.