Green Shed Activity: New Singer Sewing Machine and 40 Meters Khadi Fabric

I got a new sewing machine for my birthday. 

It is a Heavy Duty Singer that can sew thick and fast.

My new Bernina 780 is not up to sewing thick layers of fabric, something I have had to accept after giving away my 40-year-old Bernina 830 Record which could handle everything I gave it.

The Bernina 830 Record is known as a workhorse. I did 4 years of City and Guilds courses on this simple, non-computerised machine. 

Ron has been getting a hard time from his buddies about giving me a machine so I can once again do canvas repairs on his boat, something I couldn't do after I got the Bernina 780. This Singer can sew 3 thicknesses of canvas but I haven't tested it to its needle breaking limits yet.

It comes with a needle threader, a thread cutter, 18 built-in stitches, 2 different buttonholes, can be threaded for a twin needle and the feed dogs can be dropped for free motion work.

All this for $149!

I won't tell you how much this baby cost. It was a graduation present after I completed a BA (Hons) Embroidered Textiles.

The Bernina 780 is an amazing machine but it does have some problems the company has not fixed and they have stopped making this model. It is so highly computerised it self-corrects the tension even when I want a loopy stitch. I can't work cable stitch using thick threads in the bobbin because it self-corrects. 

My new birthday Singer can make loopy stitches and it sews fast.

40 meters of lightweight fabric just washed.

I bought this Indian, handwoven cotton cloth from a favourite shop, Knotty by Nature Fibres,  here in Victoria. 

It is a jacquard woven, light-weight, narrow cloth that I think would qualify as Indian khadi cloth.

I ironed the 40 metres while still damp and while binge-watching Vikings. 

At this stage, I have no idea what I will do with 40 meters of fine white cloth. It is all washed, ironed, folded and put away in the Green Shed to wait out the 'Percolation' stage.

SCAD Fiber Department Tour continues

The Sewing Machine Studio

Students learn to work with electronic, digitised machines...

...and old-school machines for sewing, knitting, embroidery and serging.

The Weaving Studio

I have very limited knowledge on looms but could see the room was filled with many different types - small and large. The largest one in the back is the only such machine in North America - having come from Scandinavia. 

The Surface Design Studio

I have never seen a cleaner surface design room. It was simple and perfectly set up. The above image shows only one side of one of the rooms.

The screen cleaning set up is quite unique. They have worked within the limits of an old building basement to come up with a simple solution.

The SCAD tour was an exciting start to the Textile Society of America's Symposium 2016.

Fun with Fibre...Cloth & Wood - An Annual Art Group Exhibition at Tulista Gallery

Dale MacEwan

email - dalemac@telus.net

Each year, around June, a group of 5 local artists install an exhibition in the Community Art Council of the Saanich Peninsula (CACSP) gallery in Tulista Park, Sidney.

Dale makes pieced and quilted compositions reflecting micro views of the landscape she lives in. She often incorporates her photographs printed on cloth and fabrics she has built up with texture using printing, stencilling, and stamping, all in her distinctive warm pallet.

Heather Corbitt

email - khcorbitt@gmail.com

I am going around the gallery to show you how each artist has set up a mini studio to work at during the exhibition. 

Heather makes wearable art garments and landscapes by building up very small pieces of fabric to produce multi-layered textured cloth. Her fabric of choice is dupionni silk.

Maya Brouwer

Brouwertree 

This setup offers the viewer a unique opportunity to talk to each artist about their work or to just watch them at work.

Maya makes large pictorial art quilts. Many of the fabrics she uses she has herself dyed, discharged, and added surface design elements to.

Kathy Demchuk

website

Each artist sets up a display of their work around their work area. Most of the works are for sale.

One of Kathy's techniques is to draw a resist on the ground fabric before dyeing it. Her signature style is to tell humorous stories that make the viewer chuckle. Kathy also makes jewellery using beach glass she has collected from local beaches.

Peter Demchuck

website

I have heard some viewers ask for special finishing requests, place orders, and commission new work.

While Kathy is beachcombing for glass, Peter collects driftwood. To quote from Peter's website, Besides giraffes, I carve bowls, make yard birds from driftwood, and do some wood sculptures, mostly of fish.

It is interesting to visit the gallery several times over the week to see how work is progressing.

And to sample Kathy's daily fresh batch of cookies.

Real-time Update: February 2016

Most of my blog posts are about events that happened some time ago. I focus on telling a chronological story because my blog is a journal.

However, I have decided to make the occasional post in real-time to document what I am up to in the present. So here goes - my first Real-time Update.

In my studio, I am working with buttons, lots of buttons. After sorting washing and placing them, I am sewing them onto a ground with the machine. 

Outside the studio, in the studio beds, the first of those spring bulbs I planted as soon as the garden beds were constructed, have popped out of the ground. They are the hyacinths.

About the same time as planting the bulbs, I planted a green manure mix of seeds and compost over the hugelkultur beds. The seeds the birds didn't take have germinated and the remnants the deer have left after their nightly grazing have turned into a green fuzz now the days are warmer.

We have had 40% more rain this winter than in any other we have experienced since we moved here. The damp conditions are ideal for rotting away the leaves while leaving their skeletons. I am collecting some of them for a work called  'Earth Repair.'

So that is what has been happening inside and outside the studio, today.

Studio Sewing Centre

While making pillow covers from molas, I also used the Sewing Centre.

View from the front door looking at the Project Table and Design Wall.

The Sewing Centre is to the right.

The Sewing Centre is basically the same setup I had in my old studio. It worked and I couldn't come up with a better solution until I had worked in this new space for a while.

The sewing table was a daughter's desk I seconded when she left home. It is large and works well.

For my birthday, I have asked for a new sewing chair. It was a used chair when I got it and I have recovered it twice, but now the foam is disintegrating. I need a chair in a desk area I am setting up in the house so this one can go there.

In an otherwise dead corner under the table is a tiered basket on wheels with all of the tools and equipment for sewing.

I like old 50s to 70s government issue furniture. It is usually well worn and very functional. This old map cabinet is where I sort and store stabilisers only a chair swivel away from the sewing table

A 2nd table holds the serger/overlocker. It can easily be moved to the top of the stabiliser/map cabinet when I need to work on the embellisher. They are both light machine and easy to lift into place. I don't use them as often so it wasn't worth the real-estate to give them each a table.

The one chair works with both tables.

Over the cabinet is a window with a view of the forest. It lets in soft south easterly light and keeps me in touch with what is happening outside.

One thing I have been disappointed with is 2 birds have flown into the front windows of the studio. I had thought the lower porch roof would stop them from thinking it was a place to fly through. Hopefully, once the plantings in front of the studio are in this will happen a lot less.

From the Sewing Centre, I walk along the design wall to the back of the Project Table to shelves with boxes of machine threads. No natural light can reach them so they are protected from fading and premature ageing. 

Mola - detail

The old Sewing Centre still works in its new location so I guess I won't be changing anything in the near future. But I will continue to look out for design ideas to improve the space.

Zipper Reorganisation

The other day I looked at my tangled collection of zippers. Vintage zippers in old packaging. Zippers reclaimed from garments. Discarded zippers from other's stashes. I was planning to do some work that involved using a number of zippers but wasn't looking forward to sorting through the pile each time I needed one. Did I even have one the right length, the right colour, the right type? I couldn't go out and buy the right one when I have so many in my collection but a time consuming and possibly futile search each time I needed one was going to slow me down. I needed to reduce the frustration level if I was ever going to use them.

My zipper collection needed organising. 

I took time out to get my zipper collection under control. First I gave them all a good soak and a wash to freshen them all up. Once they were dry I needed to decide on the most useful way to organise them. By colour, by type, or by length? I decided the most important thing about selecting a zipper is its length. I sorted the pile by length.

Then tied bundles of same size together.

Later in the week I tested the system. It worked. Not only was there no frustration finding the needed zipper I easily found whether I had it or not.

While on the topic of organising systems. A few months ago I bought a myPad. I know, me a committed  android user. But this is a special myPad and way less expensive. It organises machine needles. With the sort of machine work I do, I change needles often and use a wide range of them. But I like to keep the lightly used ones separate from the new ones. I won't go into the details of the system I had set up to keep on top of my machine needles 'cause it was complicated but it worked. Then I found  this myPad. 

I don't know if you can see how it works in the above image. A piece of neoprene is printed with sections for different types of needles and has spaces within each section for different sizes. When I have a lightly used needle I park it in its matching area. The white headed pin is a marker telling me what sort of needle is currently in the machine. Like most systems, simple works best.

I bought the pad at a trade show but of course Amazon sells it, though a Google search comes up with places selling it for less than the big A is asking for it.

With a peaceful vibe restored in my studio, I can now get back to work.

Synesthesia #7 Aqua Green

I collected up the fabric and made a decision on the value range.

The layers of fabric were stacked lightest to darkest and the energy lines of this colour sewn on the back of the ground.

Then the cutting started.

Several hours later.

It is coming along quite nicely but there is still a lot of cutting back to do.

Cut back applique is one of my favourite techniques because it always has surprises, and some 'oops.'

Studio Tidy-up

With my new sewing machine in hospital, I hauled out my old one to continue the cord making.
No sooner had I started to sew when I smelt a burning electrical smell had heard a crackling sound coming out of the motor.
So I packed up the machine and took it off to the hospital too.

What to do without a sewing machine for '7 to 10 days'?
A studio tidy-up would be a good use of time.
For my birthday I was given this compact little 'thing' that is a speaker for music I have playing on my tablet or laptop which is in another room in my admin area. It means I can have my music playing right beside me where I am working. It also does double duty as a charger for various devices.

It also meant I could get rid of this archaic collection that I had been using as a speaker system. Nothing else works on it any longer.
This purging cleared a shelf in  my studio for storing valuable stuff nearby - exactly what is yet to be determined.

While sorting through a box of threads and haberdashery I got at an auction I found this treasure.

Just like the stereo with CD player, cassette player, and amplifier this ruler records a vocabulary most of us are no longer familiar with.
How are a firkin, barrel and hogshead related?
It is like a Trivial Pursuit question.
OK, studio is back in order. I now need my machines back.