Day 2: The Gatherers Meet at the Edge of the Royal Roads University Forest

After Kerry Mason's talk, there was time for a quick lunch at the Habitat Cafe on the Royal Roads University campus before walking across the road to the edge of the forest.

Gaia College instructor, ecological landscape designer and consultant, Manon Tremblay (centre) took the first group upstream for their walk in the forest.

She led the Gatherers through a series of sensory exercises to help them explore the rain forest.

Meanwhile, Gaia College instructor, Ecological Landscape Designer and Master Gardener, Debbie Guedes (centre), took her group downstream to experience the shifting ecologies as they walked towards the ocean.

Debbie sharing her wealth of knowledge.

An excellent example of a wildlife tree seen from the track.

The Skunk Cabbages are in fine form.

At the same time, under the shade of the forest trees, I gave the third group a quick workshop on earth dyeing.

Here I am showing Jean Cockburn a dyed cloth while she massages earth into her cloth.

I use Bengala earth dyes. They are so simple to use I was able to set the workshop up under the trees for 40+ people.

Shamina Senaratne checks her cloth as it dries on a branch.

Debbie and Manon try their hand at earth dyeing.

I could not have run this workshop without my 2 excellent assistants - Sarah McLaren (in red) and Louise Slobodan (in green). For 2 hours, with cold wet hands, they helped people, reorganised the work table before the next group arrived and packed everything up at the end.

These 4 made this an event enjoyed by many. 

After each group had rotated through the 3 activities it was time to return to the hotel to freshen up before the next event.

The post-event survey results had comments from some Gatherers that they wanted a longer time out in the forest. We were lucky with the weather but if it had been any colder, windier or raining the 2 hours would have felt too long. The committee decided to take the risk and allowed 2 hours for the outside activities. We left time the next day for the Gatherers to return to the forest to experience more on their own.

Thanks again to Judi McLeod for the use of her excellent images.

'Aunt Flow Speaks Out' - How she came about.

'Aunt Flow Speaks Out' - Artists Statement

Women menstruate.

If women did not menstruate, you and I would not be on this earth. We would not be alive.

Menstruation is a necessary part in our chain of life.

This artwork celebrates the humanity and acceptance of this monthly visitor. Aunt Flow comes to visit, sits on a tomato, and can’t go swimming on certain days. Strawberries, rabbits, Maggie the Red Bird is flying her colours. Speak about it, share words and stories, celebrate women, and this part of womanhood that just is, that makes life possible. We are enough, we are OK.

Menstruation Euphemisms penned by Kirsten Horel, website, artist and lettering artist.

After reading 'Flow: The Cultural Story of Menstruation' by Elissa Stein and Susan Kim, I had a strong urge to stimulate a conversation about this hidden subject.

It was time my collection of perfectly laundered handkerchiefs got to work.

I rubbed the centre of each handkerchief with red ochre to represent the blood.

I contacted Kirsten and asked if she wanted to work with me on the project. I was so pleased when she agreed to. She went to work researching and collecting more euphemisms and tested different ways of working the lettering with different inks and different pens. She also lettered the signs inviting the viewer to touch the handkerchiefs and to write their menstruation words and experiences in the red book. 

Together we worked on the artist statement where Kirsten's wonderful sense of humour lighted my rather heavy expression of indignation at yet another social injustice.

Each saying was printed on cloth and torn into a strip then a cotton thread was attached to the bottom.

Each handkerchief was nailed to the wall with its euphemism mostly hidden by the natural fold of the handkerchief hung on point.

I trialed different arrangements for hanging the handkerchiefs.

I wanted to give the feeling of lots, as though the installation could go on and on if there was enough room - to make the viewer ask why there were so many of these sayings.

I decided on this staggered arrangement then made a template out of gridded interfacing to show where each nail needed to go.

Satisfied I packed everything into a box and went looking for places to show 'Aunt Flow Speaks Out'.

'Aunt Flow Speaks Out' Has Been Installed

'Aunt Flow Speaks Out,' Kirsten Horel & Lesley Turner; size variable; cotton, silk, linen women's handkerchiefs, cotton thread, earth pigment, nails, notebook, pen; thrifting, laundering, ironing, lettering, painting.

This is Aunt Flow's official photograph.

'Aunt Flow Speaks Out' has been installed.

The Community Arts Council of Greater Victoria (CACGV) is commemorating International Women's Day with the art exhibition "Women Hold Up Half the Sky." It is in the Bay Centre, downtown Victoria, on the 3rd floor, next to Club Monaco.

The exhibition is on from February 25th until March 13th.

The Installation

The curators, Stepanie and Brin, have given Aunt Flow 8 feet. The ceilings must be 12 feet high so this is going to be the largest Aunt Flow has ever been. The bigger the better for Aunt Flow.

Step 1. The Template

Pin up the template and mark the wall through the holes.

The template is made from an on-point interfacing. The red dots are around holes in the template where I can make a pencil marks on the wall.

Step 2. Nail a handkerchief with a tag over each pencil mark.

Step 3. Place the plinth in the centre with the book and pen on top.

Complete.

'Forest Flowers 3' in VISDA Current Threads 2015: Garden Tapestry Exhibition

"Forest Flowers 3"

Here is my entry in the VISDA Current Threads 2015: Garden Tapestry exhibition.

Triptychs were accepted as long as each panel fit the specified size.

The first step in the making process was to dye a well worn bed sheet with a number of different coloured earth dyes.

Small torn squares of cloth were wrapped around different sized beans and secured.

The bundles were dyed with earth dyes.

Stitching on these squares became my portable sewing project for a couple of weeks.

Two more bed sheets were dyed with earth dyes.

Different fabric paint colours were trialed on the first bed sheet.

Another layer was added with motifs screen printed with fabric paint.

The hand stitched squares were pinned then moved around to find the right placement.

The three bed sheets were torn into strips, layered and the small squares pinned on the top sheet again. 

I decided it needed more squares.

Once their placement was confirmed the small squares were hand stitched in place.

It was a most enjoyable project to work on.

"Forest Flowers 3" is about the role mycorrhizal fungi play in the wellbeing of a forest ecosystem. 

The screen printed motifs are drawings of computer generated models of the fungi's growth patterns.  

Mushrooms are the fungi's flowers and they are the stitched and appliqued pieces of cloth.

The viewpoint is one where the viewer is in the soil looking up, much like an earthworm's view of the world. The idea is we humans need to shift our way of seeing the natural world if we are to become less invasive and destructive.

New Work - 'Forest Flowers'

I am working on a new work for a Surface Design Association exhibition. It involves a number of different steps and techniques.

Random dyeing the ground cloth.

All of the fabric is worn bed sheets.

Dyeing for an all-over mottled colour.

Another sheet dyed to get a more randomly patterned effect.

Sampling different fabric paints to screen print motifs onto the dyed ground.

Resist dyeing. I tied different sized seeds in the centre of torn squares of cloth. 

The tied thread acted as a resist when dyed.

Hand stitching the resist dyed squares.

I keep track of time spent making the work.

'Edge of the Forest' Opens

Edge of the Forest Exhibition Opens

The first exhibition of the Canadian Surface Design Association's 'Edge of the Forest' opens in the 

 Richmond Hill Centre for the Performing Arts. Richmond Hill

 It is up for all of March. There is an opening reception on March 11th.

Here is the rest of the schedule, to date: 

April 20-May 4th, 2015 –  Art Square Gallery Toronto

June 4-July 9, 2015 – Exhibition at Parrot Gallery Belleville, ON

August 15  – October 18, 2015 prior to & during Fibre Arts 2015 Conference, Woody Point, NL

The aim of this juried fibre exhibition is to present a survey of work currently being done by Canadian members of the Surface Design Association

Here is my entry.

'Forest Reliquary' 2014 

Materials: Vintage cotton table cloth, earth pigments, cotton thread, leaf skeletons, deer bones, maple tree samaras, fern spores

Techniques: Earth dyeing, spore printing, hand stitching (furrowing, whipped double running stitch, attachment).

Currently, I am using domestic linens and earth pigments as I explore the biological processes in the Pacific North West rainforest. 

Read more here.

I will be teaching a 2-day, weekend workshop on using earth pigments at the Metchosin International Summer School of the Arts 2015 MISSA June 27 - 28 this summer. Do come and join us if you are interested in learning about working with eco-friendly earth pigments and need a little MISSA Magic in your life MISSA