Green Shed Activity: New Singer Sewing Machine and 40 Meters Khadi Fabric

I got a new sewing machine for my birthday. 

It is a Heavy Duty Singer that can sew thick and fast.

My new Bernina 780 is not up to sewing thick layers of fabric, something I have had to accept after giving away my 40-year-old Bernina 830 Record which could handle everything I gave it.

The Bernina 830 Record is known as a workhorse. I did 4 years of City and Guilds courses on this simple, non-computerised machine. 

Ron has been getting a hard time from his buddies about giving me a machine so I can once again do canvas repairs on his boat, something I couldn't do after I got the Bernina 780. This Singer can sew 3 thicknesses of canvas but I haven't tested it to its needle breaking limits yet.

It comes with a needle threader, a thread cutter, 18 built-in stitches, 2 different buttonholes, can be threaded for a twin needle and the feed dogs can be dropped for free motion work.

All this for $149!

I won't tell you how much this baby cost. It was a graduation present after I completed a BA (Hons) Embroidered Textiles.

The Bernina 780 is an amazing machine but it does have some problems the company has not fixed and they have stopped making this model. It is so highly computerised it self-corrects the tension even when I want a loopy stitch. I can't work cable stitch using thick threads in the bobbin because it self-corrects. 

My new birthday Singer can make loopy stitches and it sews fast.

40 meters of lightweight fabric just washed.

I bought this Indian, handwoven cotton cloth from a favourite shop, Knotty by Nature Fibres,  here in Victoria. 

It is a jacquard woven, light-weight, narrow cloth that I think would qualify as Indian khadi cloth.

I ironed the 40 metres while still damp and while binge-watching Vikings. 

At this stage, I have no idea what I will do with 40 meters of fine white cloth. It is all washed, ironed, folded and put away in the Green Shed to wait out the 'Percolation' stage.

Backyard Project: New Studio Footwear and New Garden Bed

I wrote a couple of posts about the shoes I wear going to and from the studio and inside the studio here and here.

With the past snowy winter I had to add another pair of footwear - waterproof rubber boots with New Zealand wool liners. These are also my gardening boots. It is usual to wear longer boots when gardening in forest areas to protect the legs from deer ticks.

Recently I added a pair of Skellerup 'Red Band' flip flops/jandles/thongs to my studio shoe collection. I purchased them in New Zealand where they and 'Red Band' gumboots are de rigeur when in the countryside. Now the paths have been leveled and covered with gravel it is no longer hazardous to walk to and from my studio and these are perfect for slipping on and off during the warm months.

Finally the lumber Josh ordered came in and he was able to finish the cedar fence with the top beam.

In theory that meant there would be no more construction activity in the area between the fence and the studio. Finally I could get going on making the new garden bed.

The soil is in rough shape. It has been driven over, walked over, turned into mud over the rainy season and dust in the dry season. It is thoroughly compacted, full of rocks and stones and has little organic matter - so I need to provide the conditions for the soil organisms to make new soil.

First I dug it over taking out all of the rocks in the first few inches. Then I covered it with a thick layer of all the paper and cardboard I had collected from the house and from dumpster diving.

This paper is the 'Party Time' signal for the earthworms, woodlice/slaters and hundreds of other bugs to start partying/eating. 

Normally this layer has to be soaked with water using the hose but the outside water has not been turned on for the season yet so I made this first layer the day before rain was forecast. As predicted, it got thoroughly drenched.

I measured out the path and started construction of the rock edge using rock blasted from the pergola area.

Next layer - coffee grounds courtesy of our local coffee houses/cafes. As I have posted about before - the coffee is the green and the filters and coffee cups are the brown in the compost mix.

Then the muscle moved in dumping wheelbarrow loads of a 'cooked' spent hops mash from a local brewery and the shreddings from a nearby landscaper - a potent mix.

Tah dah - new garden bed. While the soil organisms do their work transforming the layers into soil  I have the pleasurable task of planning the plantings.

Taylor placed the rocks along the bottom of the fence so the bambi deer could not squeeze under it and get inside the backyard. The mother deer on the other side do crazy things when this happens.

 I think of this as a bonus garden bed. I didn't have it in my original concept design and I didn't know how big it would be until the fence was in place and the path was marked out. Not only is it a big bed it is also a pleasing shape.

Backyard Project: 2 Structures Starting to Look Real

Structure #1 The Shed Area. Foundation/Retaining Wall on north side

Just before we went away for Christmas the Shed site had been blasted, dug out and levelled off. Footings had been framed up, poured, framework removed, then covered up with backfill. Foundation walls had been framed up, poured then the framework removed. Gravel was spread over the area to smooth the ground and to provide an even work surface. The gravel hid a lot of the hard work that had been done.

The first wall frames were a welcome sight.

Looking south into the back of the power tool shed.

Structure #2 Propagation Room

This indoor-outdoor room supports a roof easily accessed from the upper level of the house. I walk from my office/library through this transition room outside and along the path to my studio.

The lower propagation table frame is in place.

Electricians came and installed wiring for lights.

It is time to make yet another decision - what sort of light fixtures? 

Grow lights in a propagation room?

Outside the deer fence looking in at the Propagation Room.

The wall of punched steel will allow air to flow freely around the plants.

View from the Propagation room out to my studio.

There is still a lot of work to do but it feels as though things are starting to come together.

Colour Studies in the Green Shed Studio

Backyard Project posts have dominated my blog lately and you may be wondering if I am ever in my studio. 

To answer the question - Yes. I am working on a big project that will culminate in at least 2 exhibitions.

'Colour: A Personal Response' is a project I am working on with fibre artist Sarah McLaren.

It involves doing colour studies in paint and fabric.

I am making large paintings of 24 different colours.

Apart from a Jane Davies workshop, see blog post here  I am not trained in painting so I am just feeling my way. My intention with these paintings is very clear and it is keeping me at it for many hours. I am beginning to pick up a feel for moving the paint around. I am also even more conscious of Malcolm Gladwell's 10,000 hours rule.

SCAD Fiber Department Tour continues

The Sewing Machine Studio

Students learn to work with electronic, digitised machines...

...and old-school machines for sewing, knitting, embroidery and serging.

The Weaving Studio

I have very limited knowledge on looms but could see the room was filled with many different types - small and large. The largest one in the back is the only such machine in North America - having come from Scandinavia. 

The Surface Design Studio

I have never seen a cleaner surface design room. It was simple and perfectly set up. The above image shows only one side of one of the rooms.

The screen cleaning set up is quite unique. They have worked within the limits of an old building basement to come up with a simple solution.

The SCAD tour was an exciting start to the Textile Society of America's Symposium 2016.

Backyard Project vs. Studio Work

You might think with all of my postings about the Backyard Project that not much is going on in my studio. 

Here are some pics to show that I am working in my studio...

...until there is action outside.

Delivery of the cement.

This is an impressive little 3-wheeled forklift.

It was easily able to manoeuvre along the paths to drop off its load conveniently close to the job site.

These bags of cement will be mixed to make the concrete footings for the propagation room.

I have checked everything out. Now I can go back inside my studio to the work in hand.

The first school report I ever got had the comment "Lesley is easily distracted." 

As a 5-year old I had to ask my mother what that meant. 

Her answer, "If someone came to the door of the classroom you would look up." 

My reply, "Well how would I know who came to the door?" 

I guess that teacher nailed it, all those years ago.

Gathering at the Edge Day 3 - Studio and Self Guided Tours

Gathering Day 3 - Sunday, April 3, 2016

After meeting over breakfast in the hotel Gatherers took in hand their specially marked-up maps and a sources list highlighting art, textile and fibre shops; gardens in full spring bloom; art galleries and nearby eating establishments and headed off on self-guided tours of the area.

Some had booked a tour of my garden and studio at 11:00 that morning.

I'm not sure what I am explaining here.

Inside the studio, I shared the concept plan for the Backyard Project.

Then I gave a quick tour around the studio.

The second group arrived at 12:00 noon for the next tour.

Here I am showing maps for the Sun/Shade analysis for the backyard area, an early stage in the planning process.

A couple of hours later I raced back to Coast Collective to meet up with Barbara McCaffrey and Judi MacLeod and her husband.

One last look around at the work.

Then it was time to take all the work down and pack it in 2 large shipping crates to be sent on to the Sunshine Coast for the next showing from July 9th to August 21.

And that was it - the Gathering at the Edge -3 days of wonderful networking, making new friends, renewing old; and together: experiencing, sharing and learning.

Backyard Project: How Long Does it Take to Build a Deer Fence?

The line of the fence is marked out.

Fence post holes are dug into the soil and drilled where there is rock.

Metal posts are cut to length.

The posts are cemented in place in the holes.

Branches and shrubs need to be removed or cut back in places.

The supervisor checks the width of one of the gates in the fence.

Heavy gauge wire mesh is tied to the fence posts.

In the steeper areas, it is more of a challenge to get the wire in place. Skirts are tied to the bottom where there are dips in the ground.

Cross bracing is added at the corners.

The supervisor checks one of 4 gates in the fence.

A temporary fence between the house and the studio is erected. After the new conservatory has been built and it is linked to the studio with a more decorative cedar fence the temporary fence will have done its job and be taken down.

The last job was to Bambi-proof the fence. I went around the whole perimeter inside and out and stacked all of the rocks and stones I could find along the bottom of the fence where there were small gaps. We are coming up to Bambi season. I didn't want a baby deer to squeeze under the fence then the mother to go crazy trying to rescue her offspring. I want to avoid someone getting hurt or something getting damaged.

Ron and I also strung heavy fishing line from tree to tree, about knee height over well-trodden deer paths. The idea is to deflect the deer from their established routes before they get to the fence. They walk into the line and feel it at their knees. Not being able to see what it is that they feel they turn back and take a different path. It is going to be interesting to see how long it takes for the deer to establish new grazing paths in the areas we have not fenced.

How long does it take to build a deer fence?

It depends on the terrain and how long the fence is.

This deer fence took the team a month to construct.