Articulation's 2016 Study Session in Gimli

First stop out of Winnipeg on the way to Gimli was at Arnason's Icelandic Horse Farm.

One of the few places in the world outside Iceland where these distinctive horses can be found.

For more about these unique horses visit Articulation's blog here

Rock Art - Boat - Gimli

The reason why Articulation went to Gimli was to study Icelandic culture.

Gimli (New Iceland) is the largest Icelandic settlement outside Iceland. Back in 1875 and 1876 more than 1,000 Icelandic immigrants settled on the western shore of Lake Winnipeg on land the Canadian government gave them to govern independently. 

We found Icelandic textiles old (as above in the Gimli museum) and new in the local shops.

A Whitefish boat up on the hard. 

Evidence of the early dependence on fishing in Lake Winnipeg was found in many places up and down the western shore.

Hecla historic home

The Icelandic immigrants brought with them their architecture and woodworking skills.

Pickeral and wild rice

We sampled Canadian/Icelandic food whenever we came across it.

For more about Articulation's time in and around Gimli, check their  blog  here.

Articulation's 2016 Study Session

This year Articulation members collected in Winnipeg Manitoba to begin their annual 2016 Study Session.

Winnipeg has wonderful artwork on its buildings - old and new.

View from the rooftop of Mandy's studio building.

This rooftop building has stories to tell.

Descending

Wendy, Mandy, Donna

Go to the Articulation's blog  link here to see more of what we got up to.

While the garden grows I am at work in my studio...

While the garden grows I am at work in my studio.

A new work. 

The challenge - how to express what is the province of Alberta on one double-sided panel?

I decided to depict the diversity of landforms in the province - landforms shaped by glacial and tectonic processes.

The schematic with a beginning sample. 

Cutting out the shapes.

I decided to focus on the interlocking shapes of the different regions and I felt colour would be a distraction. I auditioned a variety of different unbleached cottons from my stash. I selected mainly handwoven cottons from India. I washed these fabrics and lightly tumbled them dry to allow their different weaves to naturally collapse into wrinkles unique to each cloth.

Problem - how to make a neat double-sided join?

Solution - couching hand-made jute braid from India that I just happen to have in my stash, patiently waiting until needed.

The different landform shapes have been joined.

Yes, the landform edges do need more definition.

Hmmm, not sure about the outline. Is it too dark? Too wide? Does the whole panel need a wider border?

I added a border of a wider jute braid.

Nope - I don't like the way the outline of each shape takes away from the feeling of the different landform regions being related to each other. So I unpicked all of the braid on both sides.

I sewed on a much thinner jute braid.

Much better. 

Now to block the whole panel just enough to make it hang straight while not flattening out the natural landform wrinkles.

I think this must be the first work I have made without the use of my trusty irons.

Yukon Cryosphere II, Hydrosphere - Work Continues

Working with slippery synthetic sheers I can't keep the large pieces of fabric under control. Solution - hang them on the wall and take down as needed.

My current problem is to find a method for making a soft material appear hard. 

I have made tapered tubes. They need weights in the bottom to keep all lines vertical, the way water falls and freezes.  I considered lead fishing weights but couldn't find any small enough and they would all have to be painted white.

Solution - Beads. I cleaned out my white bead stash then scoured all thrift stores in a 20-mile radius. I sorted them by size and made 3 different soup mixes.

The beads are successfully doing the job of weighing down the points but now the tubes don't look substantial enough. I have decided to stuff each tube with fine interfacing. It took a long time and was hard on my hands.

To give my hands a break I started making the flowing water panels - cheesecloth dry-felted onto flat sheer tubes.

I am laying out the flowing water panels to see if I had enough of them and enough variety in length and width.

In the meantime, in the back of my mind, I am working on how to hang these individual tubes and panels. Percolation time, again.

Articulation Study Session in Victoria - Day 3

Articulation members at work; Lesley Turner, Donna Clement, Ingrid Lincoln, Leann Clifford, in the inner harbour. The Empress Hotel is in the background.

First appointment was a morning visit to the Art Gallery of Greater Victoria http://aggv.ca/ to see 'Kimono: Japanese Culture in its Art Form' with many magnificent kimonos revealing the complex codes and etiquette of garments in Japanese culture. Articulation member Shannon Wardroper shared some of her extensive knowledge of Japanese culture to give others a better understanding of the exhibits.

A 2nd exhibit 'From Geisha to Diva: The Kimomo of Ichimara'  is a collection of personal effects of one of the most famous geishas, Ichimara. 

Next were visits to the Fort street auction houses Lunds http://lunds.com/ and Kilshaws http://www.kilshaws.com/ to see if there were any maritime history artifacts that may be useful to acquire. There were none this week but it was fun looking.

There was a long wait in the line-up to get into the popular Blue Fox for a late lunch.

Next was a visit to the Royal BC Museum to see the current 'Vikings' exhibition and a search through the museum's other rooms for maritime history-related displays (no cameras allowed).

The Victoria International Chalk Art Festival is on. A large chalk drawing is being made on the floor of the museum. The distorted perspective makes it look 3D.

A walk back along the inner harbour, past the Empress hotel...

...and a variety of street theatre acts.

SALTS sail boats (floating schools) in the setting sun with the Robert Bateman Museum (Originally the Steamship Company building) next to the legislature buildings, across the harbour.

It was a day focused on getting a deeper understanding of the importance of the sea in the development of Victoria from a shallow place to pull up a canoe to an urban centre.

Articulation 2014 Study Session in Victoria

Each year Articulation does study in a special place in Canada.

This year they are in Victoria researching the maritime history of the west coast of Canada.

Donna climbing up the stairs from the waterfront to the street full of old warehouses, hotels and shops.

Into The Maritime Museum, up in their iron elevator - the oldest working elevator in Canada...

...to the 3rd floor library and archives.

Donna and Leann doing research.

Lunch break at Venus Sophia's Tearoom and Vegetarian Eatery with retro afternoon tea served along side delicious light meals.

Venus Sophia's is in Chinatown, the oldest china town in North America. 

While in Chinatown, Articulation visited Ground Zero Print Studio www.groundzeroprint.com/  owned by Victoria Edgarr and Alain Costaz.

The magnificent gated entrance to Chinatown.

A visit to the University of Victoria's down town gallery, Legacy Art Gallery, where they showcase works from their extensive art collection.

A visit to the oldest tea and coffee company in Victoria, Murchie's.

Murchie's continues to blend their own teas and runs a tea room.

That was Articulation's 1st 2 days of research on Victoria's maritime history.

'Articulated Materials: Bridging Waters' in Saskatchewan

The 4th showing of Articulation and Material Girls' response to the Bay of Fundy and the River Thames, respectively, will be shown in its 7th exhibition - 3 in the UK & 4 in Canada.

This time it is in The Gallery on 3rd, Watrous, Saskatchewan. 

It is the last time before the individual works will be boxed up and returned to owners in the UK and across Canada.

This international collaboration has been an exciting and rewarding project for both groups.

Feb 19 - March 10, 2014

Opening Reception Feb 20, 1 - 4 pm

Gallery open Thursday to Saturday 1 - 4 pm

Articulation member, Donna Clement has designed all 4 posters for the Canadian exhibitions. This last one features one of her works, 'Erosion as Joggins Fossil Cliffs -"Ammonite".'

New Articulation Work

Then I cut the strips again ...

... joined them then cut them into 6 panels.

I want to show what we all see when we fly over the prairies late summer.

Well this is what I see - you know I`m the one with the blind up while you are trying to go to sleep.

I cut and joined each panel once more, to add the survey lines the roads generally follow.

I`m calling this series `Section, Township, Range` the names of different surveyed blocks of land.

All Articulation members are making the same sized  panels. These panels will be hung close together to make a patchwork of the patterns found on the prairies. Each time the work is hung the panels will be in a different order so the work will look different in each gallery.

It is going to be an interesting series of exhibitions.

Next Articulation Series of work

Two summers ago, while travelling, I knit lots of rectangles in a log cabin quilt technique.

Last summer, while working in a temporary studio in the Tulista Art Gallery, I washed and blocked them all. 

Next step I joined the rectangles, cut them into strips then rejoined the strips.

Then re-cut and rejoined the pieces again.
I am making views of the Canadian prairies from the air - a patchwork of different field crops.