Garden Update: When Life Started to Stir From the Soil

Back towards the end of March life started to stir and appear from the soil.

First were the spring bulbs in the Cut Flower bed.

The first to show was the hyacinths with lots of iris leaf growth.

The meadow plants started to put on new growth and the comfrey (left) appeared after being dug under when the irrigation system was put in.

I got the eagerly anticipated call from Verna at Fruit Trees and More that my order was in. I went straight away and picked up an Italian plum and many different shrubs and berry bushes.

I also did a thorough search of one of my favourite nurseries Le Coteau Nursery and found many of the trees and shrubs on my list.

At this stage of planting the beds, I am making the big decision about which tree will anchor the ecosystem in each bed. Next, I look for the compatible shrub layer. However, I was sidetracked by the beautiful condition of these hostas at Le Conteau Nursery and bought a collection for the new bed between the cedar fence and the hugelkultur beds. They settled in straight away and put on new growth within a few weeks.

The locals thought the Hostas looked delicious too but nibbled only a few of the lower leaves.

I had said to Sammy I wanted to plant native Dogwood shrubs. One day he brought around some sticks and pushed them into the ground. Already their lovely red stems are a feature in the bed.

While continuing to build up and protect the soil with a mulch layer, I was focused more on planting while the rains continued.

Backyard Project: Moving Rocks Between a New Garden Bed and a Path

Josh is at work in the small Bobcat carrying a large rock in the bucket. This rock originated from the other side of the Bobcat in the now pergola area when a much larger rock was blasted and broken up.

I am directing which rock I wanted to be placed where while trying to stay well back from the Cat.

I have 3 sticks, each a different length, to mark out 3 different widths of paths. This stick is the longest and marks paths the lawn tractor and trailer will travel along.

I mark out the edges of paths with bright orange yarn held in place with small rocks. Josh can't see this yarn which is why I have the job of directing him. We should have gone over some standard hand signals before we started the job but somehow we communicated...

...and Josh was able to place the rocks to my satisfaction.

The new line of rocks viewed from the east side. They mark the curve of the path coming in from the gate and are the boundary of a bonus garden that I have already started to develop. With these end-rocks in place, I can continue layering green and brown materials to make soil and continue defining the boundary between the garden path and the garden bed with smaller blasted rocks.

Josh next moved over to the other side of the pergola to place a few rock to create a balance with the line of bigger rocks. This image shows how tight a space Josh had to work in. He did very well not bumping the pergola posts.

Another task is completed.

Eco-Threads Exhibition at Coast Collective, Colwood

Eco-Threads is a juried exhibition put on jointly by Vancouver Island Surface Design Association and the Coast Collective in Colwood, on from June 28 to July 9, 2017. 

There will be an artists' reception from 3 to 5 pm followed by a themed fashion show from 7 to 9:30 pm.

All of the work juried into the exhibition and all of the garments in the fashion show have a connection with recycling, re-purposing, or reusing. Some are the result of a studio practice that is kind to the environment while others are about the environment.

The lovely image in the exhibition poster is Bryony Dunsmore's work.

Douglas-fir: Wind Drawing

I am happy to say my entry was juried into the exhibition.

It is about a Douglas-fir tree in our back yard. The middle part is a drawing done in ink by a branch of the tree on a windy day. The different fabrics are from old bedsheets. The middle one was composted under the tree canopy before being drawn on.

The exhibition is one of many being held during the Northwest Weavers Conference being held at the University of Victoria. The conference theme is 'Treddle Lightly.' It is completely sold out but the exhibitions and the Merchants Mall are open to the public.

It is going to be a fun weekend.

Horticultural Centre of the Pacific - a regular haunt

The Horticultural Centre of the Pacific is many things and there are many reasons to visit. Ron and I have been members from the first year we arrived on the island and we continue to visit for different reasons.

This visit focused on studying the Butterfly and Insect beds. I was looking for plant ideas for the Water Drop Insectary and Feather Bird Haven hugelkultur beds in our Backyard project

Hmmm... there is a possibility - Amaranth - red to attract hummingbirds, seeds for fall bird feed and it is a dye plant. I am particularly interested in multi-functioning plants.

The Butterfly and Insect bed is right next to the Plant Sale Centre. I whipped out of my bag my plant lists, gave one sheet to Ron and we searched for wanted plants. There was nothing that day but next visit I may find enough to fill the car.

Since I have been building a number of different types of stone walls for the Backyard Project I have been noticing stone walls everywhere. This is one of my local favourites.

We stopped in for a drink at Charlotte and the Quail Cafe before leaving knowing we would be back for the upcoming Fall Plant Sale.

'Earth Repair' - 3 Years Later

2014

3 years 3 months after the emergency while living outside wrapped around the Indian plum I brought the 3 afternoon tea cloths inside. 

They were carefully washed, dried and ironed. I was hoping the laundering had stopped the decay processes.

There is much staining and decay and large holes had appeared.

How to preserve this cloth? The usual way to repair a cloth is to darn it but the whole cloth is in such a fragile state didn't think it would support darning. Another way to repair cloth is to add a patch. When I thought about it, adding patches is the way the soil is repaired each year. Leaves fall from plants and trees and cover the soil. Organic processes work on breaking down the leaves to return them to the soil.

I was thinking about this soil repair idea when while out on a walk I noticed the Tulip tree had a skirt of leaves reflecting the shape if its branches. It was using its leaves to replenish the soil it grows in.

I looked more closely at those fallen leaves and saw the majority had decayed in such a way that only the veins were left. They were leaf skeletons.

I collected them up and soaked them in water to remove the soil and pine needles.

I left them to dry.

They are quite lovely in their fragile state. I had this idea to repair the tea cloth with these fragile leaves. I hand stitched leaves directly onto the cloth over the holes. At the top of the cloth I stitched a row of eyelets, wove a jute string through them and inserted a stick I found near the Tulip Tree. 

The cloth hung on my design wall for the year, still too delicate to do anything with.

2015

When the Tulip tree was dropping its leaves again the next year made me look again at the still fragile afternoon tea cloth.

I wanted to add more leaves but I wanted to make the skeletons stronger while still appearing fragile. It was time to sample. I coated leaves with various mediums but they tended to fill the holes and look a bit shiny. I ironed on a fine fusible web. I liked the look.  

I added the bonded leaves but I couldn't iron them in place. I decided to machine sew them in place using the finest thread I had with the finest needle.  I liked what was happening and decided to add another layer of leaf skeletons next fall.

 

2016

I added another layer of bonded leaves using a combination of hand and machine stitching.

The cloth with its leaves was stronger looking but getting very dried out and brittle. I added a thin layer of liquid Min Wax. I thought this last effort had ruined the whole thing. It was shiny and stinky and ugly. I just left it hanging thinking I would throw it away when I got around to it.

But one day it caught my eye because it had taken on a transparent glow and the layers of leaves were more visible giving an interesting depth. And it wasn't stinky anymore. 

I was going to add yet another layer of leaves until it got accepted into the World of Threads Festival. Once our work is accepted we have to promise the work shipped will be exactly the same as the images we sent in with the application. 

I can add the next layer of leaves after it returns home.

PS This is what the Indian plum tree looks like fall 2016

Still alive...

...but the bark doesn't look very healthy where the deer ate it.

The fungus growth on the middle trunk indicates the tree is dying.

Maybe the deer knew the tree was old and on its way out.

'Earth Repair' - the Beginings

'Earth Repair' began as a response to what I considered to be an emergency situation.

March 11, 2011 - quoting from my journal -

'Emergency. It has been a long winter here on the island. The deer are hungry. They are eating the bark on my precious Indian Plum. I need to care for this tree. The deer have free choice in the rest of the forest - even my emerging spring bulbs but my Indian Plum is not part of their buffet.

I am placing sacrificial tea cloths over the wounds to protect them. First, I lost my needle - I felt vulnerable and inadequate - I couldn't do what I needed to do because I had lost my valuable tool. Flashback to an earlier time when women depended on their needlework skills to survive. A lost needle was potentially a loss of livelihood translating to an increased risk of not being able to adequately care for her family.

I ran inside to get another needle after I had given up searching in the deep layers of moss and decaying leaves. When I returned with another needle I found my first one hanging by a thread - ties in with that vulnerable feeling again.

I was having trouble holding the cloth in place and sewing at the same time which had lead to the loss of the original needle. Then I heard a distant ambulance siren reminding me this is a triage situation.

Another run inside to get my wooden-based pin cushion, given to me by my mother. A reminder of how important life skills are passed from one generation to the next.

I was now performing the required surgery as I pushed a couple of pins into the bark to temporarily hold the edges of the cloth as I sutured it in place.'

The 'Earth Repair' cloth with embroidery wrought by and unknown hand.

Sutured in place around the wound to stop the deer from eating more of the bark. 

I have since read the Saanich First Nations people make a bark tea as a purgative and a spring tonic. Perhaps that is all the deer were doing because they had upset stomachs after having to eat plants not usually in their diet.

Continuing from my journal entry - 'The tea cloth continues to function - to protect wood and in doing so sacrifices itself to the elements - it was raining as I secured the cloths in place.

Inside the home, the cloth would be used to present food - outside it is now protecting the bark so the tree can get its food....

The cloth has been taken from the horizontal to the vertical plane. Does it still read as a table cloth? It has been taken from a smooth flat object to a wrinkled curved form. Does it still read as a cloth?'

These were musings for the development of work while I was studying for a BA (Hons) in Embroidered Textiles. After 6 years of study, my graduation exhibition work was related to my thoughts and actions on this Day of the Emergency.

'Earth Repair' Makes it into the World of Threads Festival 2016

Lesley Turner, 'Earth Repair' 36" x 35"/92 x 89 cm, 2011 - ongoing, embroidered (anonymous) vintage cotton afternoon tea cloth, leaf skeletons, cotton & polyester thread, jute string, wooden branch, MinWax; tree staining, washing, ironing, hand & machine applique, waxing.

This work has been accepted into the World of Threads Festival 2016 in the 'Late in the Season' exhibit in the display area of the Queen Elizabeth Park Community and Cultural Centre in Oakville, Ontario, from Saturday, October 29 to Sunday, November 27th, 2016.

Whippee!

I spent most of the day following the instructions in several emails explaining exactly how to get the work ready for hanging and how to box it up.

I made a box so the work will fit snugly and not move around much while in transit. I made the box with a reuseable cap so it can be reused to return the work. 

The work can not be folded or even rolled because of the many layers of delicate, dried, leaf skeletons stitched to the cloth. 

Inside the box, I made a suspension system to hang the work from the top. 

I sewed together pieces of bubble wrap to make a snug bag to pad the work while it is in the box.

Then there was all of the documentation required. Make a label with details of name and title and secure it to the back of the work. Type up hanging instructions with images. Put my name and email on every piece of packaging and both parts of the box. Include a spare set of hanging devices - just in case. Phew!

Now to wait until the right day to mail the box so it arrives between the 2 dates set for the arrival of work in Oakville. 

Dawne Rudman and Gareth Bate are the organisers, curators, festival originators and all of the other jobs it takes to mount such a large exhibition of work from around the world - 134 artists from 24 different countries. You can see why I am very pleased to have work selected again for this festival.

Dawn and Gareth curate the exhibitions with a system I think is unique to their festival. They put out an international call for artists' most recent work and wait to see what comes in. They look at images of the work while identifying some common themes. Work is selected that fits the chosen themes. That's how I think they work.

Next post I'll tell you why this unassuming work has taken 5 years to make - so far.

Permaculture - Soil Building Techniques - composting, fertility crops

Ron holding one of the new compost bins.

The black bin has a secure screw-on lid.

Ron cut the bottom out and cut holes in the sides.

It will be placed bottom side down in a small hole in the garden bed. Soil life can enter through the side holes and bottom and we will feed it with kitchen scraps and scoops of soil from the top. 

There are 2 of them - one to fill and one to leave to compost. When the composting has happened we lift the bucket up and move it to another location. The new compost is then chicken-scratched into the soil in-situ.

With permaculture gardening, the area is divided up into zones. The beds nearest the house are in zone 1 - the 'Fluffy Slipper Zone' because one can hop outside in slippers to harvest the most accessible plants. These compost bins are in our Zone 1 - Kitchen Beds where the soil is being kept rich and damp. Continually making compost within the bed helps to keep the soil fertility level up.

Ron came back from a shopping expedition with 2 bags of chitting potatoes. He said they were free to a good home. The sprouts were long and pale so there may not be enough energy left in the potatoes to support new growth. I planted them anyway because it is all good organic matter for soil building and if some do grow into plants it is a bonus. I am thinking of them as soil fertility plants but we may get to harvest a few potatoes as well.

Some of the potatoes had small shoots so I cut them up and planted those too.

Now to wait and see what happens.

 Gardening involves a lot of curiosity tempered by patience.

Day 2: The Gatherers Meet at the Edge of the Royal Roads University Forest

After Kerry Mason's talk, there was time for a quick lunch at the Habitat Cafe on the Royal Roads University campus before walking across the road to the edge of the forest.

Gaia College instructor, ecological landscape designer and consultant, Manon Tremblay (centre) took the first group upstream for their walk in the forest.

She led the Gatherers through a series of sensory exercises to help them explore the rain forest.

Meanwhile, Gaia College instructor, Ecological Landscape Designer and Master Gardener, Debbie Guedes (centre), took her group downstream to experience the shifting ecologies as they walked towards the ocean.

Debbie sharing her wealth of knowledge.

An excellent example of a wildlife tree seen from the track.

The Skunk Cabbages are in fine form.

At the same time, under the shade of the forest trees, I gave the third group a quick workshop on earth dyeing.

Here I am showing Jean Cockburn a dyed cloth while she massages earth into her cloth.

I use Bengala earth dyes. They are so simple to use I was able to set the workshop up under the trees for 40+ people.

Shamina Senaratne checks her cloth as it dries on a branch.

Debbie and Manon try their hand at earth dyeing.

I could not have run this workshop without my 2 excellent assistants - Sarah McLaren (in red) and Louise Slobodan (in green). For 2 hours, with cold wet hands, they helped people, reorganised the work table before the next group arrived and packed everything up at the end.

These 4 made this an event enjoyed by many. 

After each group had rotated through the 3 activities it was time to return to the hotel to freshen up before the next event.

The post-event survey results had comments from some Gatherers that they wanted a longer time out in the forest. We were lucky with the weather but if it had been any colder, windier or raining the 2 hours would have felt too long. The committee decided to take the risk and allowed 2 hours for the outside activities. We left time the next day for the Gatherers to return to the forest to experience more on their own.

Thanks again to Judi McLeod for the use of her excellent images.