The Vancouver Island Surface Design Association's annual exhibition, 'Current Threads 2013,' held its Artists' Reception at the Metchosin Art Gallery this afternoon.
A journal where I share my adventures developing a food forest based on permaculture principles. I also share my love of knitting here. For my life as a textile artist follow me at lesleyturnerart.com
Showing posts with label gallery. Show all posts
Showing posts with label gallery. Show all posts
Saturday, September 7, 2013
Current Threads 2013 Opens at MAG
The Vancouver Island Surface Design Association's annual exhibition, 'Current Threads 2013,' held its Artists' Reception at the Metchosin Art Gallery this afternoon.
Thursday, September 5, 2013
First Pass Installing Bridging Waters
Sunday, September 1, 2013
Bridging Waters Installed at Tulista
Here is the before shot.
Yesterday we installed Articulation and Material Girls' combined exhibition in the gallery in Tulista Park in Sidney, BC.
Drop sheets are laid on the floor beside all of the hanging walls so work is protected when laid out and while the hanging plan is worked out.
Monday, August 19, 2013
Articulation's Upcoming Exhibition
After a successful 2012 tour of London, the Articulated Materials: Bridging Waters exhibition is touring across Canada in 2013-4.
Bay of Fundy Architecture
The first stop was earlier this year, in Winnipeg's Cre8ery Gallery http://www.cre8ery.com/, during the Embroiderers' Association of Canada's national seminar http://www.eac.ca/.
The Tide Is Out
The second stop will be in the Tulista Community Art Gallery, Sidney, Vancouver Island, British Columbia.
From the gallery windows one can see across Haro Strait to the USA, which makes it a most suitable place to exhibit work about 2 other bodies of water: the Bay of Fundy and the River Thames.
Saint Martins, Bay of Fundy
The exhibition will be open daily from September 1st to 14th, 10 am to 4 pm.
Thursday, August 15, 2013
Jane Dunnewold Exhibition - San Antonio
Thursday, August 8, 2013
SDA Conference - UTSA Graduates
With the conference being held in June we were in time to see a graduates' exhibition at The University of Texas at San Antonio, in the Downtown Art Gallery.
I liked William Billy George's work. He studied at the Appalachian Centre for Crafts.
I looked closely at the folded paper and saw stitched letters.
I read the label. He called it 'Secret', so I looked at the work again, this time trying to find more.
This is just what the title of a work should do for the viewer - give a clue to take them deeper into the work and make them look at the work again.
First place went to a work installed high on the wall, above other works, with only just enough light on it to see some detail.
Julie Shipman cut up and cut out sections of a weathered door and added what looked like corrugated cardboard. The label said Paverpol was used, probably to stiffen the cardboard.
It certainly was a strangely intriguing work - to see something so familiar looking so not right. A door on its side, stuck high on the wall, cut up and its insides showing. Hmmm...
Monday, August 5, 2013
SDA Conference Exhibition at the International Centre
Lisa Grey, 'Morphology IX'
oops, this work is standing on its side and I can't rotate an image while posting.
But don't you think it still reads well and looks great?
..and another in the series.
There were so many other appealing works in this exhibition but I didn't have time to photograph any more before it was time to get back onto the bus and head out to the next gallery.
SDA are to be congratulated on their exceptional organization of Gallery Day.
All members visited all of the exhibitions without any stress or overheating - quite an accomplishment in San Antonio summer heat!
Friday, August 2, 2013
Another SDA Conference Exhibition - Elise Deringer & Kelsey Wiskirchen
'Looking Through: New Work from Elise Deringer (right) & Kelsey Viola Wiskirchen' (left) at the AnArte Gallery, San Antonio.
A close up of 'Olivia Wade and Lizzie' shows Kelsey's signature technique - free motion stitch over net.
This work is huge, 100" w x 53" h.
The gallery was barely wide enough to get back far enough to view the work.
Here is a low quality image of another large work where Kelsey drew with her machine a page from her journal.
'Residue #9 (Why I Wake Early)', 3 pieces, each 40" x 13"
Elise Dereinger's work is very different - opaque where Kelsey's is transparent.
Here Elise has run ink and sand inside silk, dyed pillow-case forms. Her spontaneity and lines-left-to-chance contrast with Kelsey's intense pre-planning.
I was sorry I couldn't get more images of Elise's work.
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