Studio News: Four New Projects Started

After a very busy summer with a family wedding and lots of company, I am back in the studio. With so much time off I need to re-establish a work routine. Having started 4 new projects this week is helping. I move from one project to the next and studio time flies by.

I can show you only a glimpse of what I am working on because

one is a commission and the commissioner would probably like to see the work before anyone else.

One is destined to be put in front of a jury in the hope of being selected for an exhibition. Until then it has to remain anonymous and unseen.

One is for an exhibition proposal and needs to be work as yet unseen by the public.

So sorry, this sneak-a-peek is all I can show for now. Keep checking and I will post images of the works as soon as I am allowed.

In the meantime I am back in my studio most days, which is a good thing.

Dirt Dyeing

While on a 'Girls' Weekend' at the ranch we did some Bengala dyeing.

Rose and Kerry tie stones into a tea towel.

Norma kneads a white t-shirt she is overdyeing.

Rose, Gail and Norma hard at work.

Rose taking out the stones.

The results

Projects' Progress

The Fairy Ring mushrooms, lichens and bark had been wrapped in a wool blanket for over month.

It was time to take the bundle down to the pond and unwrap it.

Looking good but rather smelly.

It needed a good wash.

Some interesting marks I could work with.

My Garden Tower after a week.

We will be eating the arugula and celery next week.

My garden partner planted his tower this week.

He opted to plant mostly seeds.

Natural Dyeing a Wool Blanket

This wool blanket is  special. It was produced in the UK sometime between 1941 and 1952 when the government set strict standards for UK produced products, to aid the war economy. 

The Price Control Mark label specifies this blanket, NPC 880, was guaranteed to contain 2 pounds of wool and had a set price of 25/8 shillings.

With such a history I must admit I did hesitate before plunging it into the alum bath.

The wrinkled label testifies to the abuse the blanket has been put through over its 60 or 70 years. It has been unevenly and probably unintentionally, fulled. 

Now it needs to be made beautiful again - with fungi and lichen dyes.

Fairy Ring mushrooms sound as though they will produce something magical.

Mushrooms plus lichens laid out on the blanket. 

Plus a few lichen covered twigs and scraps of bark

All rolled up tightly then squeezed into a bucket of acidic pond water and ammonia.

The bucket will now rest beside the boiler for a month or so, or until I can no longer wait to open it.

Fungi and Mushroom Dyeing

For a while I have been thinking about dyeing with fungi and lichens.

 When the fairy rings appeared in the lawn I took it as a sign.

Fairy Ring Mushroom (Marasmius oreacles)

My mushroom book says they are edible but doesn't mention anything about their dye potential.

I scraped a variety of lichens off the old alder trees.

Dead branches from the Big Leaf Maple host colonies of lichens that I added to my collection.

I also have a bag of windfall lichens, mosses and fungi collected on my morning walks.

Now, how do I go about dyeing with them?

Next step is to do some Internet research.

Down to the Bog

I am trying some more dyeing in the environment. 

First I pre-mordanted a wool blanket in alum and cream of tarter but I'm not sure I had to do that.

Then I headed outside, negotiated the right distance to walk around this family without being attacked, and went on into the forest...

...down to the bog.

 I dropped the blanket into the water...

...and stomped on it.

The idea is to leave it for up to a year with occasional liftings to oxidise what is going on.

It is an old Scandinavian technique for getting shades of black on wool.

More Christmas Knitting Completed

Amber's Christmas knitting is finished - for the 2nd time. I guessed her head size and made it too small the first time round.

It is Fleece Artist's Ana Bandana in their luscious Woolie Silk (65% wool/35% silk).

Amber lives in New Zealand and there is no rush to send it to her because it is summer there. I am sure she doesn't want to be reminded winter is coming, just yet.

I was successful with an auction bid for this copper kettle and tankard.

Now I am set to do some natural dyeing with a copper mordant.

Summer Dyeing

Daughter Elizabeth is good at coming up with creative solutions. We were planning to do some dyeing outside and wondering how to set things up. This was her solution using things on hand: an old firewood stacking frame and a door.

The set up. Note the perfect hat I have found for working outside in the sun. 

We worked with Bengala dyes, made in Japan from earth.

These are the 12 colours presently available in North America.

SDA Conference Exhibition at the International Centre

The artists

The labels were intriguing.

Jay Rich, 'Indigo Butterflies'

'Indigo Butterflies', detail - side view

Lisa Grey, 'After the Fall' series, 22" h x 15" w, leaf prints

Lisa Grey, 'After the Fall' series, 22" h x 15" w, leaf print

Lisa Grey, 'Morphology I-XII', 10" x 10", mixed media collage

Lisa Grey, 'Morphology IX'
oops, this work is standing on its side and I can't rotate an image while posting.
But don't you think it still reads well and looks great?

..and another in the series.

There were so many other appealing works in this exhibition but I didn't have time to photograph any more before it was time to get back onto the bus and head out to the next gallery.

SDA are to be congratulated on their exceptional organization of Gallery Day.
All members visited all of the exhibitions without any stress or overheating - quite an accomplishment in San Antonio summer heat!

Articulation Work

I have been working on a series for the Articulated Materials: Bridging Waters exhibitions Articulation and Material Girls have organised. Each member of Articulation made and sent one work to the UK where it was exhibited with a body of work produced by a similar group, Material Girls, based around London.
After a successful 3-gallery tour in 2012, the work has been returned to Canada, including one work from each of the Material Girls group. There are 3 galleries in Canada booked to show Articulated Materials: Bridging Waters over 2013 and 2014 (see side bar on the right).
In the meantime, Articulation members are in their studios producing more work to add to their response to the Bay of Fundy to complement Material Girls' study of the River Thames.

For my first work I researched some of the many rock carvings left by the first inhabitants of the Bay of Fundy coastline. I have continued my research of the Mi'maq material culture.

During 2 visits to the Fundy area I found Mi'kmaq artifacts in museums.
A chair seat cover (mid 1800s) made from dyed porcupine quills on a birch bark ground. The technique is often described as a form of weaving but I see it as an embroidery technique because the quills are manipulated the same way as thread. They are twisted, laid down and couched, while the ends pierce the ground.

This colourful porcupine embroidered basket is newer as evidenced by the use of aniline dyes to produce brighter colours. It was entered in the 1901 Nova Scotia Provincial Exhibition in Halifax.
The small basket in front would have been produced for the tourist market. It is made from ash splints, hickory bark and grasses by a member of the Waban-Aki group in the mid 1900s.

I found Mi'kmaq footwear in the Bata Shoe Museum, Toronto.
The white decoration on the vamp of these moccasins (1830-1840) is beadwork, using the smallest beads on any shoe in the museum's collection.

Beading techniques allowed embroiderers to move away from traditional geometric designs. The more organic lines and shapes were appropriated from European embroidery styles at the time. It is an indicator of increasing contact between North American aboriginals and Europeans.
My research continues...