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Saturday, June 7, 2008

More Stages in Hand Block Resist Dying


Stage 5 -Washing removes the printing gums.


Stage 6 - The textile is immersed in a hot alizarin bath for 1 hour to devlop the 2 shades of red.


Stage 7 - Mud-resist paste (clay-earth & gum) is applied with blocks to mask out areas of the design to remain red or white. Sprinkled with sawdust to aid drying.


Stage 8 - Immersed into indigo vat, then spread out in sun to allow blue colour to develop on all unprotected areas.

Friday, June 6, 2008

The Process of Hand Block Printing


One of the displays in the Anokhi Museum I was most impressed with was a sequence of waistcoats that showed the numerous steps involved in hand block printing & dying a textile. Stage one, the textile is treated with Chebulic Myroballan so the pastes & dyes will stick.


Stage 2, The textile is printed with a begar paste (alum) wherever a dark burgundy red is required.


Stage 3, A 2nd mordant paste (again with a temporary tint to guide the printer) is applied to the lighter red areas.


Stage 4, Horseshoes & molassas fermented into a sticky brown paste, oxidises to black when added.
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Monday, June 2, 2008

Anokhi Museum, Amber, Jaipur

The Anokhi company, among other activities, helped revive the local hand block printing industry by supporting artisans & their families. It produces block printed garments & products that they sell in their Indian & international retail outlets.

They renovated & restored this old mansion and established a museum to showcase the history of hand block printing and to regularly exhibit work by contemporary clothing designers.


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Friday, May 30, 2008

Carpet Weavers in India


The wool yarn is wrapped, knotted & cut in one quick motion.


Naturally dyed yarns from Ibyx goats, sheep and silk worms are used in the carpets.


Dyed skeins are wound into sausage-shaped balls.


The finished carpet is washed with water & salt then left out in the sun to dry for up to 2 weeks.
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Sunday, May 25, 2008

Paper Makers in Jaipur


We spent a wonderful morning touring Kagzi Industries, paper makers in Jaipur. I was so interested to see the range of papers they made, particularly because I had previously purchased a large amount of their paper from Costco in Canada. Understanding how the paper was made makes it so much more interesting when I work with it.


By the time our tour group was in Jaipur, India was experiencing the coldest temperatures in 40 years. You can see in these images how the paper makers were wrapped in thick shawls, blankets, sweaters & hats to keep warm.


Fresh rose petals are added to the pulp before the sheet is pulled.


This factory makes a vast range of hand made papers and paper products that are exported all over the world.
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Thursday, May 22, 2008

More Turbans in India





This collection of turbans is in the Cultural Museum in Udaipur. Sorry about the quality of the images. My point 'n' shoot camera couldn't handle the low light or the shiny display cases.
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Tuesday, May 20, 2008

Saturday, May 17, 2008

Tanvi Kant, Textile Jeweller


Tanvi Kant, a textile jeweller, makes neck art out of old saris having started with one of her mother's. Her parents were born in India but Tanvi has lived all her life in England. We met up with her in Ahmedabad where she was about to begin an 8-week artist residency to develop her designs, meet local crafts people and make connections. It is a UK Art Council programme that plans to develop exchanges with Indian artists & crafts people going to the UK.


We sat on the verandah of the Darbargadh Poshina heritage hotel we were staying in while Tanvi talked about her work and showed us some samples.

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Friday, May 16, 2008

Rope making in Patan



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Mashru Cloth, Patan, India


Our tour group watched as Mashru cloth was woven with a pit loom


Skeining the hand dyed rayon & cotton thread


The double woven cloth is starched to make it smooth & shiny
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Thursday, May 1, 2008

Patan Patola, India


I didn't finish telling you about the master weavers who make double ikat silk textiles. Here father and son (an architect) work side by side ...


on a traditional silk sari pattern that they can weave 8" to 9" per day.


This sari took 5 people 6 months to make. No wonder the family members travel all over the world to demonstrate their amazing skill, www.patanpatola.com
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Monday, April 28, 2008

McMullen Gallery Artists' Reception


Donna Clement and my artists' reception at the McMullen Gallery on April 24th was most successful. We received lots of positive comments about our work. I feel so good about having work in this particular gallery. It is a special place run by very positive people. It is a refuge from the stress and activity going on in the rest of the hospital. They have a programme called Art on the Ward where patients can request visual and performing artists to visit them at their bedside. While we were conducting a workshop a student came in with a guitar on his back and asked where he should go. A patient had requested to listen to some guitar music and the student was on his way to play for him. A poet stopped by to organise his papers before going onto a ward to read to a patient. People came to the gallery just to sit and look, including staff in their lunch hour. It is a peaceful place.
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