Artawearness IIX Again

I found all of the students' work so thought provoking so I am sharing with you some more images of this year's performance.
A big part of my Opus studies is sketchbooks. I am learning to develop my ideas visually and to record the process on paper which acts as steps towards realising them in textiles. This entry in the performance is by a 4th year drawing student, Jennifer Crighton.

Jennifer has literally brought to life drawings from a sketchbook. One of the interesting things about how these 'creatures' came about is they are a result of 'shared drawings' by a group of her fellow students at ACAD.

Students with 'individually diverse' practices are able to communicate through a sketchbook what fills their imaginations. This collaboration illustrates to me how well ACAD students' creativity & talents are developed at the school.
To quote that now famous quote,
"I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution." Albert Einstein
This is the message in the movie 'The Diving Bell & the Butterfly' and it adds memories to the mix.

More Artawearness IIX

Kris Hold, a 4th year sculpture student, crocheted "authentic smelling twine & translucent fishing line to build structural pieces that cover human bodies." In this image I love the way the backs of the heads of those in the audience mimic the textures in the structural pieces.

She is exploring "human form & sculpture", a relationship made all the more dynamic by her startling choreography.

Human Anatomy

The Opus BA module I am doing this semester is Visual Studies where the whole focus is on drawing the human form. We are advised to take a figure drawing class which I did for an intensive week at Red Deer Collage during Series. It is also recommended we study a real human skeleton. I have seen skeletons when I go to the chiropractor and physiothrapist but I haven't had the opportunity to study one. Then I found the book 'New Atlas of Human Anatomy The first 3D Anatomy based on the National Library of Medicine's Visual Human Project, general editor: Thomas McCracken. To get the amazing images, 1mm thick cross sections of a frozen cadaver where photographed. A computer processed the info in these images to generate accurate 3D images which are printed in the book. I have been studying the images of bones, tendons & muscles as I practice drawing the human form.

This book reminded me of another student's entry in the ACAD Artawearness IIX performance. Amy Malbeuf made a series of anatomical costumes where each one showed a different system in the human body.

It was a weird sensation to see each system in motion. With the black costume in low lighting one didn't notice the rest of the human form. It was as though Amy had taken the images in the book to the next stage and put them in motion.

Amy said, "It was a comment on our society's emphasis on over-consumption & superficiality." Great work Amy. Can't wait to see what you come up with next year.

Alberta College of Art + Design, Artawearness IIX

This Is Kyle Nylund, a gifted fibre arts graduate from Alberta College of Art + Design here. His costumes, makeup & hair design & choreography all came together to delight the audience.

Kyle told me his entry this year was largely influenced by his experiences at Burning Man in the Nevada desert.

Kyle said, " I have combined masculine & feminine materials as signifiers to create a world that exemplifies confidence, sexual liberation, & the severity of the desert." A wheelchair bound mermaid?

More on the Feminine

This is Taryn Mckay's entry in the ACAD Artawearness IIX perfomance earlier this year. "The nest headpieces I have made represent fertility & the female. They symbolise a major role that women play in society as mothers & caretakers. Each piece speaks about an issue or decision that all women are faced with in their lifetimes."

I commend Taryn for tackling an important issue in such a quietly powerful way. Notice how she has made the audience focus on the individual faces of her models

I like this shot where the 2 women are not looking at the issue that affects them directly while the male in the foreground appears to follow the Western academic tradition of the active male viewer looking at passive female models.

Archetypes of the Feminine

In my Opus BA studies I am exploring the archetypes of the feminine and was reminded of Kimberly Johansen's entry, Telling Stories Through the Body, in this year's Alberta College of Art + Design here Artawearness performance.

She made a costume for each archetype 'from richly embellished, silk-screened & printed paper, exotic fabrics & found objects.' It was a clever way of telling the story and lovely to look at.

The Fruits of Summer Show in Nectar Desserts

Donna, Nancy, husband Ron & I hung The Fruits of Summer show at Nectar Desserts this morning. Nancy painted 2 series of works featuring apples & cherries and some watercolour flowers with her calligraphy. Donna examined cross sections of fruits in fibre...

and worked flowers in her signature tissue paper drawing technique. I made little confections inspired by my memories of hydrangeas in my Nana's Garden series. I think they look like Nectar Desserts' executive chef, Rebekah Pearse's, fruit tart creations. If you click on the title of this post to visit her website, you will see what inspired me.

Rebekah wasn't coming in until this afternoon to get ready for a class she is teaching tonight so when we finished the hanging she hadn't seen it yet. We made groupings of works in the same shapes as the collections of furniture in front of them. We hope she likes what we did to her place.

Leighton Artists Colony

Here is a view from our studio looking out towards the neighbouring one which is designed for an artist working with sound.

Here we are last March, all bundled up in our winter gear, heading to our studio for a mornings work.

Click on the title of this post to find out more information about this wonderful programme the Banff Centre offers artists. We will be doing an Independent Residency in The Gerin-Lajoie Studio which is a space specially designed for visual artists. The light coming into the studio is perfect.

At the same time we have many services and facilities available to us at the Banff Centre, including a large arts-focused library/archives, exhibition space and printing/media departments. All of our personal needs are taken care of with private, serviced, hotel-like rooms, meals in a spectacular eagle-nest type restaurant, full fitness centre and ozone drenched mountain air everywhere.

Imagine having all of your personal needs & physical requirements being taken care, being surrounded by mountains & trees, & being continually supported by colleagues who speak the same language - for a whole month!

With these conditions, I predict some amazing work is going to be produced by Articulation.

Banff Centre , Leighton Studios

Exciting news! Articulation, the fibre arts group I belong to, has been accepted into the Artist in Residence program in the Leighton Studios for the whole month of March next year, 2009.
Last March we spent 2 weeks in our studio in the trees carrying out research for our 'Women Rock' study. We are all now back in our studios across Canada developing our ideas, sampling & gathering materials. Come March we will return to our goup studio in the mountains to make the body of work. We already have bookings to exhibit our 'Women Rock' work which will complete the last phase of this large group project.

Nana's Garden Series

Here is fabric ready to be sewn into another work for my Nana's Garden series. I am fascinated by the way hydrangeas are like litmus paper and indicate the ph of the soil. It is like flamingos eating shrimp.
My Nana used to put special stuff under her hydrangea bushes to make different coloured blossoms and I can remember being impressed with her knowledge of gardening.

Red Deer College - Series

This summer I am working on the Visual Studies module of the Opus BA(Hons) programme I am enrolled in. It is highly recommened one takes a figure drawing class. My drawing skills are poorly developed, to say the least, so I attended a 5 day long open drawing studio session at Red Deer College's summer art programme, Series, in the hope that total immersion would produce some observational drawings I could use in my assignments.
What a time I had. With Ross Bradley's organisation and years of live drawing experience we had a different model every day from 9 in the morning until 10 at night, with breaks to consume food & drink coffee. It was quite a unique experience, in this day, to be able to totally focus on one activity for a sustained period.
Another bonus for me was the calibre of the other drawers in the studio. Studying their work was an education for me. And each one was such an interesting person and most pleasant company. I looked forward to joining them in the studio each morning.

While in Red Deer Collage, I stayed in residence. Over the week, as I walked to and from the studio, I enjoyed the drama of Canadian prairie skies.

This storm caused hail damage to crops and there was a tornado warning over the radio. I was too busy drawing to follow up on whether it touched down or not. That's how absorbing this whole drawing experience was.

Nana's Garden 1 - Finished

Here is Nana's Garden 1 finished & framed in a shadow box. I kept track of the hours it took to make - a total of 23 hours - so now I will be able to answer that question if anyone asks. It will be hung in Nectar Desserts for the month of August along with other flower & fruit themed work by Donna Clement & Nancy Dormer.

Progress On Nana's Garden 1

Here is Nana's Garden 1 after 14 hours. I am enjoying the stitching only I miss not being outside where I normally stitch when it is warm. Those summer breezes would play havoc with the tiny pieces of fabric I am working with.

Nana's Garden is Moving Along

The design is done, samples made, pattern transfered, ground fabric prepared, threads gathered up, fabric ironed & cut. Now for the hand stitching. A question people often ask me is how long a particular work took to make so I am keeping track of the time I am spending on this work; to date -7 hours.

Nana's Garden

I am developing a series of works using my memories of & associations with hydrangeas. I photographed many blossoms in the last days of their splendid show when I was in New Zealand this past May. The low angle of the late afternoon sun set off their fading glory.