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Tuesday, June 14, 2011

Tim Harding @ SDA

Another favourite exhibition at the SDA conference I attended is Tim Harding's work, also showing at the Katherine E. Nash Gallery.
These stapled squares of brown knit fabric....


...and this fabric pushed and poked through a grid....


...needs to be viewed from a distance to see the images.


There are large hanging panels composed of mosaics of squares, equally intriguing and effective.
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Monday, June 13, 2011

India Flint @ SDA Conference

Another 'favourite' exhibition at the SDA conference is India Flint's 'the WindFallMaps' exhibit in the Katherine E. Nash Gallery www.nash.umn.edu


Each garment has been printed and dyed with plant materials and metals found in a specific place.


So each is like a map or visual record of a place and time.




Floating garments are hung with hems at viewers' eye level so we felt dwarfed by evidence of places the garments came from. It was all quite ethereal.
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Sunday, June 12, 2011

Jason Pollen "Sentinels"

Jason Pollen, a founding member of the Surface Design organisation, has an exhibition of work in The Christensen Center Art Gallery. this was one of my favourites in the day of exhibition visits.


It was the day of the opening reception and Jason was there. We were able to ask him questions and hear him  talk about his work.


He is a master of surface design techniques so his is the sort of work where the viewer moves back and forth in front of the work to get distance then to get close enough to enjoy the details


In the gallery space it looks like a dance is going on.





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Saturday, June 11, 2011

SDA 2011 Gallery Day

I am attending the Surface Design Association conference in Minneapolis. After the Meet and Greet session the day was filled with gallery visits - too many to see all in one day so we had the difficult task of picking which ones we would go to.
One of my favourites of the day was work by Ann Hall Richards, called 'Repetition Meditation Revelation'.
The image shows a large curtain of leaves.


Each leaf is hand stitched into a chain. Ann's intention is to 'transform common objects into contemporary and contemplative works that invite and even challenge the viewer to consider not only the content, but also the process and choice of materials.' She was most successful with her intention.


I also enjoyed Teresa Paschke's 'New tools and Ancient Techniques' work. She printed digital images of graffiti onto large cotton canvas surfaces then added her own exquisite hand stitched graffiti.

The butterfly and floral motifs and the obviously slow process employed to add her own marks were in such contrast in every way with the printed graffiti image.


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Thursday, June 9, 2011

Excavating London's History

I see the images for my last post didn't show so I have reposted them - not quite in the right order but you will see what I was rambling on about.









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Monday, June 6, 2011

Digging Into the Past

While attending the JC graduates exhibition, I noticed a construction site across the road - a mosque building was being extended.


A construction crew had spent 6 weeks hand excavating behind the behind the building down to about 15 feet below grade. Access to the site was along a narrow alley way between buildings so no heavy machinery could be taken to the site. This conveyor belt carried the excavated soil up to grade level.



Micheal was one of the hard working people whose job was to run between the top of the conveyor and the skip outside on the street with a rotation of 2 wheel barrows, one being filled while he emptied the other.


Wherever I go I look for old glass and pottery shards, usually on beaches but I spied some in this skip. I got talking to Michael and checked that he didn't mind me looking for treasures in his soil. I told him he was like an archeological digging down into the past.


Then he told me about some of the things he had found. They had dug up many old glass and pottery containers and literally hundreds of animal horns.
Animal horns! I needed some for my art work. Micheal put aside some for me.



He also gave me this old pot that looks like what was used to hold beer and other fermented drinks. I was very interested in this because in the 18th century my family were malsters in London. I don't know exactly where they lived but other family members had lived nearby to this mosque in Hackney, when it was a trendy new suburb in the late 1700s.
So it was a great day for finding treasures.
I declared the cattle horns when I entered Canada because we have had major problems with mad cow disease. Even thought the horns are fossilized, the officer sprayed them with disinfectant and they are now drying out and bleaching on my balcony at home. 

Friday, June 3, 2011

Menier Chocolate Factory



While Ingrid and I were in London, one of our missions was to look at the space we will be exhibiting in next year, the Menier Chocolate Factory, near London Bridge.




There will be approximately 12 of us graduating so we need a bigger space than the gallery this year's 6 graduates had.


There are 2 floors to the gallery...


...and a variety of exhibiting spaces.
It is good to know what the space looks like but I don't know if it will influence my work or not, or if I should let it be an influence - I'll have to ask my tutor on that one.
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Monday, May 30, 2011

Wendy Harris Williams - 2011 JC Graduate



Postcard images of Wendy Harris William's graduate exhibition work, 'The Caress'.
She exhibited large scale images of body casts and a book of images.




From her Artist Statement: 'This body of work explores the belly of sisterhood. it is concerned with honouring the inside and outside space of women: their elaborate connections symbolized by the navel.'
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Saturday, May 28, 2011

Diana Bliss - 2011 JC Graduate

Post card images of Diana Bliss' graduate exhibition work, called 'Transversing the Surface (a series of walks along the River Dee in Cheshire)'.


From her artist statement: 'My work is dominated by a sense of place and by exploring Landscape through the rhythms and mark making of stitch and paint, the works can be seen as panoramic or under close inspection.'

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Wednesday, May 25, 2011

Valerie Huggins - JC 2011 Graduate


Here are post card images of Valerie Huggins graduating exhibition work, 'The Poisoned Heart' series.



She used a variety of  stitching techniques including broidrie perse - the cutting out of motif from a textile and stitching it onto another ground.


Valerie says in her artist statement: 'Myths, legends, superstition, religion. Where does one end and the other begin?




'In the wayside chapels, shrines and home alters of Europe and Mexico, beneath a veneer of propriety and prettiness, is the still-beating heart of ancient archetypes.'
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