SDA Fashion Show

My favourite winner of the SDA 'Bodies of Water' Members' Fashion Show - Marliss Jensen, from Minneapolis, called her 2 outfits - 'Homages to Yves and Yves'.

She made body prints on cotton knit using Procion H fiber reactive dye.
Sorry the images are not clear and are not taken from the right angles to really show off the garment. My best shot was looking at the back of the garments but I had to then dodge a spot light.

Beth Kendrick, also from Minneapolis, won 1st place with 'Lucette', a hand dyed, painted, discharged embellished dress.

The waving black scarf stuffed into the top of the corset appeared to be a last minute addition for modesty's sake. It was distracting trying to work out why it was there and wondering if it would fall out before the model got back behind the screen. So we didn't get time to really look at the garment.

Jane Kenyon @ SDA

In the same gallery as Clare, Jane Kenyon is exhibiting a collection of large machine embroidered works she calls 'Transformation'.

Jane Kenyon is another artist whose work makes the viewer dance as they move back and forward, changing perspectives from macro...

 ...to micro.

These images don't even begin to give the impression of the depth, complexity and flow of of Jane's stitching. 

Clare Verstegen @ SDA

Clare has an exquisite body of work called 'Atmospheric Measures', in the Joan Mondale Gallery at the Textile Centre www.textilecentermn.org, here in Minneapolis.

(these are terrible images of some of the work)

She screen prints on thick industrial felt made of wool, which means she can then have fun with her other favourite technique....

...burning.

She takes the burn marks around to the edges of each work, which is most satisfying to discover.
Notice, above, her purpose-build hanging system that is in such harmony with her felt work.

SDA Presenter - India Flint

India Flint's knowledge and her sense of humour were well received during the SDA conference.

She finished her presentation by unwrapping a bundle of Minneapolis bio-metal materials she had collected during her city wanderings and steamed in her hotel room.

The Minneapolis Cloth

Tim Harding @ SDA

Another favourite exhibition at the SDA conference I attended is Tim Harding's work, also showing at the Katherine E. Nash Gallery.

These stapled squares of brown knit fabric....

...and this fabric pushed and poked through a grid....

...needs to be viewed from a distance to see the images.

There are large hanging panels composed of mosaics of squares, equally intriguing and effective.
 

India Flint @ SDA Conference

Another 'favourite' exhibition at the SDA conference is India Flint's 'the WindFallMaps' exhibit in the Katherine E. Nash Gallery www.nash.umn.edu

Each garment has been printed and dyed with plant materials and metals found in a specific place.

So each is like a map or visual record of a place and time.

Floating garments are hung with hems at viewers' eye level so we felt dwarfed by evidence of places the garments came from. It was all quite ethereal.

Jason Pollen "Sentinels"

Jason Pollen, a founding member of the Surface Design organisation, has an exhibition of work in The Christensen Center Art Gallery. this was one of my favourites in the day of exhibition visits.

It was the day of the opening reception and Jason was there. We were able to ask him questions and hear him  talk about his work.

He is a master of surface design techniques so his is the sort of work where the viewer moves back and forth in front of the work to get distance then to get close enough to enjoy the details

In the gallery space it looks like a dance is going on.

SDA 2011 Gallery Day

I am attending the Surface Design Association conference in Minneapolis. After the Meet and Greet session the day was filled with gallery visits - too many to see all in one day so we had the difficult task of picking which ones we would go to.
One of my favourites of the day was work by Ann Hall Richards, called 'Repetition Meditation Revelation'.
The image shows a large curtain of leaves.

Each leaf is hand stitched into a chain. Ann's intention is to 'transform common objects into contemporary and contemplative works that invite and even challenge the viewer to consider not only the content, but also the process and choice of materials.' She was most successful with her intention.

I also enjoyed Teresa Paschke's 'New tools and Ancient Techniques' work. She printed digital images of graffiti onto large cotton canvas surfaces then added her own exquisite hand stitched graffiti.

The butterfly and floral motifs and the obviously slow process employed to add her own marks were in such contrast in every way with the printed graffiti image.

Excavating London's History

I see the images for my last post didn't show so I have reposted them - not quite in the right order but you will see what I was rambling on about.